SYNOPSICS
A Christmas Story Live! (2017) is a English movie. Scott Ellis,Alex Rudzinski has directed this movie. Maya Rudolph,Chris Diamantopoulos,Ana Gasteyer,Tyler Wladis are the starring of this movie. It was released in 2017. A Christmas Story Live! (2017) is considered one of the best Musical movie in India and around the world.
Drenched in nostalgia, and full of music and excellent choreographies, this live TV musical pivots around 1940s Indiana, a kid's warm desire to get the best present, and his adventures leading up to Christmas Eve. More than anything in the world, nine-year-old Ralphie Parker wants to get a powerful Red Ryder Lever Action BB gun for Christmas. Instead, Mother Parker gives him a warning, and to get his hands on the ultimate gift of the holiday season, Ralphie embarks on a mission to talk everyone into seeing things his way. Of course, all the vignettes, the lines, and the gags of the classic original, A Christmas Story (1983), show up, including the Old Man's leg-shaped lamp, the neighbourhood bullies, the flagpole incident, and the little dirty word. Will Ralphie convince adults that he will not shoot his eye out?
Fans of A Christmas Story Live! (2017) also like
Same Actors
Same Director
A Christmas Story Live! (2017) Reviews
Awful, horrible, waste
Absolutely awful. Complete waste. Should not have been a musical. The reasons the film is so popular and never loses its charm are the nostalgic feelings it churns up no matter how many times you watch it and the authentic portrayal of that era. Throwing in a bunch of poorly written modern show tunes sung even worse than the lyrics themselves completely disconnected the great story and the era it came from.
Everybody associated with this production needs to be blackballed from the entertainment industry...
Having been thoroughly disappointed by Peter Pan Live, The Sound of Music Live and Grease Live, I'm not sure why I expected A Christmas Story Live, based on one of my favorite movies of all time, to be any better. (ed. It was worse. Far worse than I could have possibly imagined.) The good: The kid playing Ralphie did look kinda like Peter Billingsley. That's it for the good. Everything else, from the awful pre-intro by some atrociously auto-tuned and over-mixed pop thing, to the horrible finale, was just wave after wave of telecinematic diarrhea. It was like the producers, director and Matthew Broderick went out on a weeklong bender of Pabst Blue Ribbon, dubious quality burritos, chili-cheese fries and buckets of MSG, then proceeded to explosively defecate this show on the consciousness of the North American people. Broderick, your career was pretty much dead. You should have let it die completely, rather than sign on to this. Every character, completely mis-cast, and without getting into specifics, the liberal-agenda political correctness B.S. sprinkled throughout was glaringly obvious and contrived. Everybody associated with this production, from the executive producers, all the way down to the youngest performer, even the poor kid from the catering company who put out the napkins, needs to be blackballed/blacklisted from the entertainment industry, and be forced to eke out their existence flipping burgers. And not the good $15/hr burger-flipping jobs in Washington state. The crappy $10/hr burger-flipping gigs where the employees still get treated like scum. Sadly, IMDB does not allow me to give this piece of excrement a zero-star rating. I'm looking at the other reviews, and anything that is not a 1star, I'm thinking "What the hell did you watch? Because you clearly saw something different than what I was watching."
Great job for a live 3 hour musical
You cannot compare the original movie to a musical. It is like trying to compare apples to oranges. With this being a musical and performed on the back lot, it looked realistic. Even down to there cars were driving by. There was one thing I missed seeing, which probably had to do with advertising... Ovaltine. I was looking forward to seeing the Chinese restaurant workers singing "Deck the Halls" mispronouncing the words. But, that didn't happen. The one issue they had was the audio when in the store with Santa. The mics were either not turned on there was a problem. Could not hear the elf and Matthew Broderick. I especially liked when Ralphie told his mother an icicle hit him on the cheek, that after Ralphie ran inside, she knew he got hit with the BB. For a Live 3 hour tv musical, they did a great job. I have watched these live performances before Christmas these past few years and I loved each one. Good job to everyone involved.
I have woven a tapestry of obscenities that as far as we know, is still hanging in space over Lake Michigan, because of this crummy live special. It was not a great watch
Life is like that. Sometimes, at the height of our revelries, when our joy is at its zenith, when all is most right with the world, the most unthinkable disasters descend upon us. 2017's 'A Christmas Story Live', a live musical television performance that aired on FOX is one such example. It was so frustrating to watch, as it was made by people that clearly don't understand the source material. Based on the short stories of humorist author, Jean Shepherd. This musical remake of the 1983 film of the same name, focus on the 1940s story about a child named Ralphie Parker (Andy Walken) on his quest to get a Red Ryder BB Gun for Christmas, when everybody else, thinks, he shouldn't. To its credit, for most of the special, there wasn't a lot of botches and miscues when it come with the camera work, audio, lighting and musical timing dancing sequences. However, the pacing for this, was not good. There a lot of unrelated loose ends subplots that weren't needed like the girl learning to type. Plus, the musical numbers were a little too frequently, crammed in, without much breaks between them. Not only that, but the dance numbers last a little way too long for my taste as well. Some of them could had been cut, like the out of place modern day opening song from singer, Bebe Rexha; that look like something out of the TV show 'Glee' & the preview performance from the cast of 2017's film, 'the Greatest Showman'. Both had nothing to do with the film. Then, there was song sequences that had little to do with the main plot like the old man (Chris Diamantopoulos) doing crossword puzzles & mother (Maya Rudolph) singing about her domestic housewife life. I really don't get why the parents have fantasy daydreaming sequence now. It's jarring, because the story is told through Adult Ralph (Matthew Broderick)'s memory of his childhood. Then, again, song like 'He Won a Major Award' fit into the mold of the original movie, however, it still come across, as filler. Plus, it's way over the top to a point that it seem unconnected. Then, there is the musical numbers that could had been cut as they were already similar songs with the same premise. A good example of this, was 'Ralph's Nightmare' & '"You'll Shoot Your Eye Out" about the fears of Ralph of not getting his wish. To add on that, the catchy 'Ralphie to the Rescue' & 'Red Ryder Carbine Action BB Gun' western dance sequences could had been combined as well, so that the live event didn't have the 3 hour run time. There were already enough patting in the original film with all the subplot. This musical didn't need to add more to it, like a song about Hanukkah. That sequence felt does really oddly place, since its showcase during a live special entitled 'A Christmas Story', with the goyish main character. Plus, putting Hanukkah into this, is really opening a can of worms. What's next, Kwanzaa, Dongzhi, Shabe Yalda & Newton-mas spotlight, whenever they do any type future Christmas special! That's really too SJW for my taste. It's going seem more of a mess. Not only is it, not going to appeal to progressives; it's going to upset the majority of traditionalists, big time. It's really not worth it. Just do a one off Hanukkah special, instead. Let's Christmas specials, be about Christmas. Simple as that. Anyhow, the music written by Benj Pasek and Justin Paul was mostly alright, however, the acting & singing throughout this special, were not that impressive. A good example of this, was Rudolph & Walken; they can't sing a tune nor capture the magic of the original performers from the 1983 movie. The only person that came close was Diamantopoulos, who was surprisingly, very entertaining to watch throughout this special. Regardless, most of the performances seem kinda hasty & rushed rather than normal & leisurely. Most of the recycled off tiresome repetitive color jokes told by them, including the sexual innuendos, under aged swearing and slapstick humor need the right amount of timing to work. Without it, most of the punchlines will fall flat than carry laughs. That's what happen here. It was butcher. Plus, it seem tamer. One such example was the narrator played by Matthew Broderick. He seems like he was awkwardly silently speed reading without much emotional depth, rather than taking his time, speaking loud and clearly. Don't get me wrong, Broderick can be a good actor, especially in musicals at times. However, this was not his best. He didn't conjure much of a mood, create a sense of place, evoke laughter, and bring the whole thing to life to the piece. It's such a letdown, because he does have somewhat of a soothing voice. Too bad, FOX couldn't just use the same old recording of Jean Shepherd narrating, again. It would had made this special better. Instead, we got cheesy angelic sound effect that follow Broderick, whenever he speaks. That was really tacky. Regardless, the musical was shot pretty well and the use of old timing locations really made it seem like it takes place in the early 1940s. However like many spin offs, prequels & sequels that follow the 1983 film. It ultimately falls short. It was a fudge to get through. Can't recommended seeing. Watch the original, instead.
Well performed production of the Broadway musical
I was glad to get the chance to see this adaptation of the stage musical A CHRISTMAS STORY, which was, of course, adapted from the popular movie of the same name, which had been adapted from the reminiscences of Jean Shepherd. LOTS of great talent was in evidence here, from the various writers, designers, directors (imdb lists two), choreographer, musicians, performers, et al. I found the score to be mostly charming and fitting. I was especially touched by the mom's song about how sometimes blessedly fleeting a moment can be, and it was nicely delivered by Maya Rudolph. As some others have pointed out, Chris Diamantopoulos was particularly excellent as Mr. Parker. I quite liked having the older Ralphie in the mix, embodied by Matthew Broderick, who did a lovely job (I came close to forgiving him for his terribly misbegotten Harold Hill, which was just one of the many crimes in that awful ABC MUSIC MAN, from some years back, albeit one of the most glaring of them). This program got apparently terrible ratings (a little known musical, up against a big football game--duh), but I feel it deserved much better, and I thank the powers that be for making this happen.