Breath (2017) Reviews

• A Breath of fresh air for the Australian film industry

  eddie_baggins2018-05-06

  It may take time to see how Breath is regarded in the list of all-time best Australian movies but regardless of how Simon Baker's debut feature as director ends up being regarded in due time, Breath is easily one of the most impressive local film's in year's and arguably one of the best film's yet made about the power and alluring nature of surfing. Based on Tim Winton's novel of the same name, Breath centres around teenage mates Pikelet and Loonie (played impressively by newcomers Samson Coulter and Ben Spence) who in a small coastal town in Western Australia begin a love affair with the waves and a friendship with the older and married surf loving Sando that will shape the course of their lives. Its a personable and relatable tale, one that is very close to Winton's heart as an avid surfer and a long time resident of Western Australia and Baker not only does a great job at mixing in teenage coming of age scenarios but perfectly captures the majestic and ominous beauty of the ocean. Breath looks beautiful, captured thoughtfully by Baker and his DOP's Marden Dean and Rick Rifici, its one of the more visually captivating local film's to come our way in sometime and therefore justifys an added reason to capture this adaptation on the big screen outside of its nicely crafted character drama. With Pikelet and Loonie we have two teenage boys we've likely all come across before in our time, Pikelet the quiet and introverted type and Loonie the more carefree and rashly thinking troublemaker and as these two unlikely commrades attach themsleves to the lives of the somewhat sad Sando and his troubled wife Eva (played by Elizabeth Debicki), Breath creates a real and lived in world where things are set in course for the shaping of these characters lives. Final Say - Breath is a methodically paced and baggage free coming of age drama that is anchored by a respect and capturing of Australia's relationship with the sea. An experience long removed from the world of The Mentalist, Simon Baker has here marked himself down as a director of note with what will be one of the year's best Australian films. 4 lamb chops out of 5

• Subtly brilliant.

  waldoc-465312018-05-07

  I read each new Tim Winton book as they come out. He's one of Australia's best writers and his work is certainly the most authentic Australiana. So, even though I've admired Simon Baker's work for many years, I worried that the film would be hard-pressed to match the quality of the written story. The anxiety was wasted; Breath the movie is a superb rendering of the book, managing to capture the moods, emotions, fears love and the allure of surfing in an understated and intimate way, even while omitting sections of the book, which was a complex 215 pages, and redirecting the thrust of the novel. At almost two hours, it's paced in a tempo that matches the period, the people and the lifestyle and flows past like the beautiful waves at Barney's. The young actors are brilliant but congratulations to all concerned because so is the film.

• Breathtaking!

  doctor_trish2018-05-07

  A coming of age novel, for years this book languished on my bookshelves in spite of the exhortations from my daughter to read it. In expectation of seeing the film, I read it over a weekend and was captivated although wasn't a fan of Tim Winton before I read "Breath". The film is faithful to the book apart from the sanitizing of auto-erotic asphyxiation. Spoiler alert so I won't say any more. The film is masterful: Simon Baker's direction and his performance as Sando is believable and superlative; the young men playing Pikelet and Loonie are superb; the cinematography is beyond belief. Unfortunately, Elizabeth Debicki lets the side down. Looking like a younger, blonde version of Cher, she is barely audible or intelligible. Nonetheless this is a stunning contribution to the Australian film industry's history. Four stars.

• Tim Winton's depiction of the southwest is drawing me back

  stevendgcooper2018-05-18

  Loved it. Having grown up in Western Australia in the 70's I loved every bit of this movie. Every bit that I could relate to that is. The feeling of being dumped in the surf, the chopper style pushies with banana seats, the poppity clatter of an old Kombie motor, the sandy WA bush, slipping on the rocks, the feeling of going up and over a wave just before it breaks, the rush of catching a wave, dancing badly at the school social, suntanned young skin, holding a girls hand, getting up at dawn to go surfing.. and of course, holding my breath under water just that bit too long. Couldn't help but not relate to avocado's in WA in the 70's.. I don't ever remember them.. and I'm a bit of a nerd when it comes to WA number plates.. the Kombi had black plates with white characters. The number format was right, even the first letter U was authentic, but sorry I don't ever recall black background with white letters.

• Thought-provoking story, told well and beautifully shot

  newbroom2018-05-03

  I hadn't/haven't read the book. My ideas about the themes and the story come entirely from seeing this film. It was about boys/young men and the influences and pressures on them when they are attaining "manhood" and what that involves, learning to say "no" to outside pressures and to stand on your own two feet and to decide what is right for you. The 2 leads were not actors, but their performances are terrific. Very natural and believable. "Loony" delivered some funny lines perfectly and conveyed behaviours consistent with his nickname with reckless abandon, but there were reasons in his life that drove his behaviour. Neither his lines nor his conduct were really funny when you thought about it afterwards (and I did think about the themes afterwards which, to me, highlights that a movie was good) The other boy "Pikelet" was a more cautious, thoughtful type and launching himself onto waves wasn't something that came naturally to him, he had to overcome his fears to give it a go. The character showed by his face the conflict of wanting to conform against his natural personality, quite an achievement for an actor, but for a non-actor even more so. The performances by the 2 young leads no doubt is attributable to Simon Baker's direction and he did a great job showing what was "going on" with the characters under the surface. Both boys meet Sando, Simon Baker's character and he teaches them about surfing and taking risks on the water, how waves behave and that sort of thing. By their interactions with Sando and his American wife, who is depressed and frustrated after an injury, the boys also learn more about life and people. The story spans several years as the boys "grow up". I'm not into surfing, but the surfing scenes were "just right" not a second too long or boring to me as a non-surfer, visually stunning and interesting to watch and advancing the story. This isn't "light-hearted" entertainment, but if you want to see a beautifully shot story about people and what "makes them tick" and the influences on young boys/men, go to see it.