Kundun (1997) Reviews

• incredibly beautiful movie

  joelally2001-03-05

  I rented Kundun to further my quest to see all the Scorsese movies I can. I never expected such an incredible movie. I didn't want this movie to end. It's really difficult to describe how I feel about this movie since I have only viewed it once and was completely blown away, it left me in complete awe. Like most when I first started watching Scorsese I thought that he did brilliant gangster films and that was his thing, but I have recently discovered that this couldn't be further from the truth. Fist seeing The Last Temptation of Christ and now Kundun I wouldn't care if Scorsese ever made another gangster film. It is easy to see that he is an artistic genius, the acting in the film was great, but I could have watched it on mute and still have been amazed. If, like I was, you are unfamiliar with the Buddhist religion and the Chinese takeover of Tibet this film has even more to offer. Scorsese's risk of using real Buddhists to do all of the acting payed off better than I ever expected it would, the fact that we are hearing the story through the people it affected adds another level to this movie. I cannot believe that this film only has a rating of 7 on this site. If you are a fan of Scorsese and are not sure you are going to like this just give it a chance, it deserves at least one viewing, if you give it that I am sure you will be amazed as I was. Scorsese's vision's in this movie are unlike any of his films, not to mention a great score by Phillip Glass.

• unbearably spiritual movie

  kys0792004-12-13

  I live in South Korea, so I didn't think I would get some insights about buddhism from a Western movie. But this movie shocked me a lot. Very beautiful and meaningful visuals, quiet but spiritually forceful atmosphere every single moments are in the movie, I could hardly breath during playing. This movie is not just about one man, but about the pain of all mankind and the way to transcend the pain and sin of ours in a very buddhist direction. China in this movie got a bad part. Ironically they were also victims of imperialism but learned the exact way to extort, destroy the property and beliefs of others by the power of machines. It was just sad to watch. But as Kundun implied, those violence's are in the shadow of our minds which should be overcame by the power of spirit. For me, this movie tells that.

• Scorsese's most under-appreciated film?

  davidals2003-09-16

  I was rendered speechless by KUNDUN when I first saw it, and subsequent viewing have only confirmed my impression that this is one of Scorsese's finest films. Yeah - it's slow and elegant. So what. I've long held an admittedly superficial interest in Buddhism, and also been a fan of Scorsese, liking most of his films quite a bit, so I went into this with some biases, but with every viewing this seems like a richer film. I also think that Scorsese was in some ways far more at home with this material than he was given credit for being. The cinematography and performances are excellent - the cast of mostly non-actors is surprisingly good, and much of KUNDUN is staggeringly beautiful to watch. It has also struck me that this film isn't as much of a departure for Scorsese as it first may seem - this film works well as something of a companion to LAST TEMPTATION OF Christ in that both pictures examine great faiths through spiritual figures in a way that personalizes the divine. This simply literalizes undercurrents running through a number of Scorsese's other films, which often turn on themes of loyalty, conviction and ethics (like the self-assurance, against massive obstacles, shown by Alice Hyatt in ALICE DOESN'T LIVE HERE ANYMORE). All evidence a worldview where some form of redemption or transcendance is possible. In their own ways, several memorable Scorsese characters - Sam Rothstein (CASINO), Henry Hill (GOODFELLAS), Rupert Pupkin (KING OF COMEDY), Paul Hackett (AFTER HOURS) and Alice Hyatt attempt this, some in ways that are desperate, comically misguided or just plain wrong, but they're all human, driven by some redemptive impulse nonetheless. The Catholicism of Scorsese's youth places great value on the importance of ritual, which is also true of Buddhism, which is depicted in a detailed and respectful fashion here, and the rhythm of KUNDUN - where the chronology of events isn't (or at least doesn't seem) forced, but are instead allowed to unfold in a more naturalistic and lifelike fashion also seems to mirror Buddhist ideas admirably. This is a far more complex film than it first might appear to be - far from being a simple biopic, KUNDUN is much much more. Definitely one of Martin Scorsese's least appreciated films.

• Another religious masterpiece from Scorsese

  SKG-21999-02-23

  As "The Last Temptation of Christ" showed, Martin Scorsese is not a filmmaker interested in playing it safe when it comes to religion. Instead, he wants to get into the heart and soul of it. While that film was obviously closer to his heart, since he was raised Catholic, this one burns with the same conviction and passion. The difference is he and writer Melissa Mathison adjust themselves to the way of storytelling needed to tell the life of the Dalai Lama. Unlike say, "Little Buddha", though, where Bertolucci seemed to have no sense of distance from his subject, Scorsese does, so we are allowed to come to our own conclusions rather than having them shoved down our throats. Visually and aurally, this is also a real treat, with the images being more powerful than anything Scorsese has done before. And while the music here is old territory for Philip Glass, he produces a stunning score which should have won the Oscar. The mostly non-professional cast(I did see a familiar face here and there, but I can't remember them) also does good work.

• "Dazzling to the eye and ear" A Masterpiece

  victorsargeant2005-06-19

  I have reviewed this film several times, and find new details I missed. How did they film this, and using non-professional actors, as well? Mysterious, magical, educational, and dazzling to the eye and ear. Seems much careful planning went into this production, a labor of Love. The Dali Lama, must be grateful his story, can now reach the world and his personal mission, may be recognized and possible fulfilled in his lifetime? Like the "Last Emperor" and "Little Buddha" this "slice of the metaphysical river", is breathtaking in its visual beauty. A story that grabs your heart and soul, and you find yourself, thinking about it weeks later. Now I have a "Free Tibet" sticker on my Pathfinder, out of reverence for this tiny country, raped by the political powers in control of China. Bravo to the cast, and film crews.