Reservoir Dogs (1992) Reviews

• You shoot me in a dream, you better wake up and apologize!

  Tomas_buffay2017-03-03

  Tarantino's brutal debut film. From the original initial dialogue, to the final outcome, the director astonishes everyone and makes clear his style: anthological dialogues (pay attention to the discussion in the distribution of colors that will identify each gangster, hilarious) a breakthrough structure, very good soundtrack (as in all his films), great doses of violence (although not at all gratuitous, but rather ironic) and, above all, a lot of black humor. In addition to superb performances by Harvey Keitel, Tim Roth, Michael Madsen, Steve Buscemi and Chris Penn. In short, a great example of good noir cinema (with all its ingredients: shootings, violence, betrayal, suspense, etc.), but with the innovative and very personal touch of the brilliant director, who would later continue to dazzle with the wonderful "Pulp Fiction". Oh, and the scene from the beginning with "Little Green Bag" is legendary. 10/10

• Quentin Tarantino begins his directing career with the first of several chronologically mixed, disturbingly violent, and incredibly powerful films.

  Anonymous_Maxine2000-08-18

  Reservoir Dogs is a testament to the idea that "less is more." This doesn't apply to the violence, the film is extremely violent from beginning to end, but the details of the botched diamond heist, which the entire film is based on, are conveyed only in the dialogue, except for one scene where Mr. Pink (Steve Buscemi) recalls his escape. The whole film takes place after the failed robbery is over, and the mystery that unfolds among the criminal participants is amazing to watch. This is not a normal crime film. The thing that really sets Reservoir Dogs apart from all of the others is that it is PURE. When you look at the screen, you're looking at reality. There are no Hollywood actors, there's no make-up to make them look pretty, there's little to no comic relief, and most important of all, there's no goofy romantic subplot clumsily thrown in, a detrimental trademark of so many action films, as well as virtually all Jerry Bruckheimer films. Instead of all of that garbage, Tarantino decided to just present the film as simply and straightforwardly as possible, and by doing that he makes it seem that you're really looking at a bunch of criminals trying to figure out what to do after a suspiciously failed robbery. Even though most of the actors were known at the time this film was made, the film was delivered in such a way that you don't see the actors at all, you only see the brutal characters that they portray. It is genuinely frightening to imagine being in the same room with any of them, and this is a quality that is rarely achieved in any kind of film. Make no mistake, Reservoir Dogs is among the most violent films ever made, and some scenes are really painful to watch, but the way that reality is captured is something that justifies the violent excesses in this film. The violence is never glorified, nor is the criminal lifestyle. When films are overly violent, they usually get branded as such, but despite the extreme violence, Reservoir Dogs still manages to deliver an important overall message about the consequences of your actions. It remains high on the growing list of Tarantino's classic films, and it will not be soon forgotten.

• criminals with style

  jeleach2002-09-05

  From the opening moments of "Reservoir Dogs" you sense that you are watching a different kind of crime drama. The style and dialog of this picture bestows a level of intelligence upon it's characters that defies the reality of their chosen profession. Having said that,this movie is absolutely riveting in it's movements from the ordinary, to the grim, to the horrific aspects of a career criminal. Quintin Tarantino has written a tale of an almost corporate order to constructing a crime gang. The delight is in meeting these characters one by one. The particular crime is no more crucial to the film than a 7-11 stick-up. The crux of the movie is the portrayal of the rainbow of characters who find themselves involved in a life of crime. Much has been made of the violence in the movie, but it only serves to point out that all men are different......even the crooked. The director has included a number of very memorable scenes. This is not a linear film. The movie works more as a series of set pieces that weave together a story that is not as important as the individual parts that you have the pleasure of observing. This movie may take more than one viewing to truly appreciate.

• A timeless classic...seriously

  ronnay_barkay2005-07-15

  The first time I saw Reservoir Dogs, I was about 15, it had been banned in my country, and I heard it was extremely voilent. Naturally I did everything in my power to get my paws on a copy, and when I finally did see it, I was disappointed. I was just sitting there saying "Wheres all the violence", Anyway, I watched it till the end, and then I watched it again, and since then it has just grew on me. This is one of the movies I don't get bored watching time and time again. I still watch it at least once a year, because its not the kind of movie you watch to unwind or to pass the time. You simply watch it for the sheer quality and originality of the movie. The one liners are classic: "Are you gonna bark all day...", "I'll make you my dog's bitch". Mr.Blonde is totally believable as a psycho. I mean who stops to get fries and soda just after committing a robbery? The fact that everything is ludicrous, but you don't know this because these guys, and the way they talk is so impossibly cool that you just accept it. This movie is all about the dialog. The violence is used sparingly, and to better effect. The way the film is edited is genius. Its almost like you forget the whole movie after you watch it, and the next time you watch it, there's a whole scene that you forgot was there. The storyline is unpredictable and thrilling. This is better that Pulp Fiction and in my opinion definitely Tarintino's best movie. I didn't care much for the "Kill Bill" movies, but who cares, I'm not reviewing them. If you haven't seen Reservoir Dogs, just rent it, buy it or steal it right now.

• Are you gonna bark all day.....

  Mr_Blonde32004-03-07

  A couple of weeks ago, I was blessed with a rare opportunity. one of the movie theaters in town did a midnight showing of this. Naturally, being a "Dogs" freak, I went down and saw it. To say I was blown away would be an understatement. I have only seen two of Mr. Tarantino's films in the theater. This being one, and "Kill Bill" being the other. I only became a fan of his a year ago and have subsequently seen all of his films and own them all. It really was a treat to be able to sit in the movie theater and watch this while eating grossly overpriced popcorn and drinking a grossly overpriced soda. For those who don't know, the film involves a jewelry heist. Six strangers including Harvey Keitel, Michael Madsen, Steve Buscemi, Eddie Bunker, Tarantino himself, and Tim Roth are recruited by a crime boss named Joe Cabot, (Lawrence Tierney) and his son Eddie, whom everybody calls "Nice Guy" (Chris Penn). The six are almost all friends or associates of Cabot, particularly Keitel and Madsen. Cabot gives them colors for names (Mr. White, Mr. Blonde, Mr. Pink, Mr. Blue, etc.) And expressly forbids them to reveal anything about themselves to each other, so if anyone is caught, no one can inform on anybody. But the heist goes wrong, the cops seem to show up way to fast, some members of the group are killed, and the rest start returning to the rendesvous point to try to sort out what went wrong. After the arrival of Mr. Pink, They realize that one of the number is a police informer. The arrival of Mr. Blonde, and the present he has in his trunk, complicates things even more. Things are also complicated by the fact that since no one knows each other, discovering who the informer is is given added difficulty, since no one trusts each other. This film, Tarantino's first, is one of the best, if not the best one he has ever done. but part of this credit has to go to his outstanding cast. Keitel is an old pro at this type of thing, he has the distinction of being the first older actor who's career seemed to be going into a slump and who has recovered thanks to Tarantino's casting. But Tarantino can't claim sole credit for that, because Keitel really got the ball rolling on the project and help him score his budget and the prominence to gain his cast. Buscemi IS Mr. Pink. Tarantino wrote the role for himself, and he would have been good, but Buscemi brings a type of weasly professionalism to the role that no one else could. Penn and Tierney are ideally cast as the father and son who are left to sort out the mess of the robbery, Bunker is only in a few scenes but livens up the proceedings. Tarantino gives himself the perfect monologue for his character (Like a Virgin is a metaphor for big d*cks), and Tim Roth gives a spectacular performance as Mr. Orange, who is relegated to bleeding on the floor for a large chunk of the movie. His scene in the car when he has just been shot is particulary outstanding. But then, of course, I have to throw out a special nod to my favorite character in the piece, Mr. Blonde, as portrayed by Michael Madsen. Blonde is the definition of "Bad*ss", and Madsen fits him like a glove. His first scene back at the warehouse is particularly memorable, as is the "Ear torture sequence". Without Madsen's portraying of Mr. Blonde, I don't think the "Ear" scene would have worked, Madsen just does something with it that nobody else can. Not only does Blonde have most of the coolest lines, he's fun to watch on screen, especially his reaction to a gun pointed in his face by Mr. White. Madsen rocks! "Dogs" Is one of the few movies where I don't think thae casting could have been any better. Part of the reason it works as well as it does has to go the the way the cast works with each other. No one seems to think that they are better than anyone else, and no one seemed to approach the project with the stuck up feeling of how bad it was that they were doing an indie film on a low budget and with an unknown director. Every single member of the cast gives everything he (or, to a much lesser extent, she) has. It's this mindset that, I think, has made "Dogs" the classic it is today. Little could be improved upon. As a side note, This came out a year after "Thelma and Louise" which also stars Harvey Keitel and Michael Madsen. However, in "Dogs" They play ruthless characters. In "T&L" they play the only sympathetic Male characters in the entire movie. An ideal would be to watch "T&L" then "RD" and really see the difference. They are two great actors, and they deliver. And for those who enjoyed Madsen in this, I also recommend "Kill Me Again", made a few years earlier, and which also features a scene where he tortures someone. "Dogs" is a great film to watch. Not a date flick, but for a cops and robbers movie, it's perfect. Seeing it for the first time in a theater, it hasn't lost it's touch, and the "Stuck in the Middle with You"/Ear sequence has never been more intense or memorable. *****/***** !0/10