Xin hai ge ming (2011) Reviews

• Historically interesting, but not a great movie

  Leofwine_draca2013-06-12

  Made to coincide with the centenary of the original event, 1911 REVOLUTION is a film that celebrates China's rise from the tyranny of the Qing dynasty into the modern era. It's an unashamedly patriotic movie, with clear-cut heroes and villains, and one that seeks to portray a politically complex situation in a massive country, on an international scale, in the space of two hours. The resultant film is an educational ride and historically interesting, but one that falls down when it comes to the basic facets of movie-making. The film tries to be both a gutsy war film dominated by explosive battle sequences and a compelling political epic, featuring scenes from both sides involved in the revolution. Unfortunately, the editing is quite choppy and the battle scenes, although technically proficient, end up disappointing as you're left wanting more. Characterisation is virtually nil; Jackie bags the best role as the rebellious leader and has a few great action scenes, but everybody else feels like a player in a historical drama, never really coming to full life as they should. There are lots of familiar Chinese actors in various parts, but none of them make much of an impact here. It's a shame, because there's a film with a similar focus, set five years previously, called BODYGUARDS & ASSASSINS, and I found it absolutely spellbinding. That movie manages to mix in the political intrigue and dramatic backdrop of the situation while at the same time telling a rollicking, action-packed storyline filled with melodrama and excitement. Yes, it was silly and over the top in places, but I'd rather that than this slightly stuffy and occasionally lifeless production that fails to engage the senses along with the intellect.

• Lots of Chinese History

  d951122011-10-10

  I saw this film on Oct. 9th. 2011. It moves quite quickly at the beginning and there is a lot of war action portrayed in the failed attempts to overthrow the Qing Empire. Chartracters are all identified and that is the only part of the film that detracts from the viewing. The film is in Chinese and by the time you have read the subtitles the characters names are gone. The film is enjoyable if you know Chinese history of this period and if you don't it can be just a series of talking and action scenes and can be quite confusing. Sun yat-sen is the main character but Jackie Chan does get to be more than just an action figure. If you want to more about this period of Chinese this would be the movie to spur you on or illustrate better what was going on in China at this time. Yuan Shi-kai is one character who has appeared in a lot of historical films portraying this period and his actions are as always ones of greed and betrayal.

• A Nutshell Review: 2011

  DICK STEEL2011-09-28

  Being billed as Jackie Chan's centennial film - well it depends on who's counting since IMDb.com listed it as the number 109, but seriously, who's counting? - it was a shrewd career choice to have made it an epic in both scale and story, an extremely well made piece of historical drama filled with political intrigue and a fine cast fleshing out their period roles, and to coincide it with the centennial year of the historical milestone it is based on as well, being the 1911 Xinhai Revolution that ultimately overthrew the Chinese Qing dynasty and ended more than 2000 years of Imperial rule in China. It could have been Rush Hour 4 or Police Story 6, but Jackie Chan had got grander ideas, so good for him. With the aforementioned centennial celebrations of sorts, there are countless of films being released based on historical characters and incidents in the run up, with big budgeted, and undoubtedly easily labelled as propaganda films like The Founding of a Republic and its sequel The Founding of a Party boasting big name stars in its line up to draw record audiences. The latest yet to hit the big screen here, but soon enough unless the incessant playing of the trailers start to put people off, would be the story of Qiu Jin who was an anti- Qing revolutionary, in a film titled The Woman Knight of Mirror Lake directed by Herman Yau, and it is Qiu Jin who interesting enough, actually opens this film, which may make those unfamiliar with her character scratch their heads for a little while. In a gist 1911 chronicles the fight by the Tong Meng Hui led by Sun Yat-Sen (Winston Chao) and his band of brothers to start a revolution against the corrupt Qing government who have so far been making plenty of concessions to foreign powers since the Opium War, with the country decaying morally and economically, the poor leading really miserable lives. If you're been watching Chinese cinema set around the era, you'd be fairly familiar with the strife and struggles of the Chinese people in and around that period, and this film centers itself around the failed attempts, and successful forays in leading an armed and bloody revolution to eject the corrupt leaders from their throne of power in Beijing. Sharing director duties with Zhang Li, Jackie Chan despite being his 100th film which you may think the limelight should fall on him, somehow successfully dissolves into his General Huang Xing role, and didn't mind playing second fiddle to both Winston Chao's Sun Yat-sen and the life-changing events that unfolded in 1911. In many scenes you'll forget about Chan being Chan in his charismatic presence, even toning down his usual repertoire of stunts and moves that he's so well known for in his films, to ground himself very much in reality given it's an historical epic, providing only a glimpse of his old self in just a single scene no doubt to trademark this as a Jackie Chan flick. It's an admirable effort of restraint here, and once again allows Chan to showcase his serious side and acting chops since his successful Little Big Soldier. The narrative also unfolded fairly evenly, with the first third of it unfolding in an interesting use of time and space rather than what you would think would be the usual chronological unravelling of events. I guess it goes to show the coming of age and maturing of contemporary Chinese mainstream cinema in adopting more creative techniques to their art and craft, and this dedication to accuracy and details show. With classy visual effects and beautiful art direction, the entire film became like a walk through time and history, with stuff you read about in the history books being brought alive. The film tried to cover as much ground as possible, and realistically read like a fast-forwarded synopsis of given key milestones being played out on screen, and the rest breezed through in the use of many inter-titles to fill in the gaps between scenes, which you may need a magnifying glass to read. And where would the fun be if not for its ensemble cast, some inevitably only get limited air time, such as Ye Shao Qun, Jaycee Chan and Dennis To in very blink and you miss moments. Sun Chun playing Yuan Shikai almost steals the show with his portrayal as the power-hungry general who is biding his time with his allegiance, holding the Qing court ransom with his demands, and stalling his actions for the rebels, providing that level of political intrigue as a shaky alliance based on promises and the integrity of men come into play. Joan Chen also excelled in her role as the Empress Dowager (to think that many years back she was the Queen in Bernardo Bertolucci's The Last Emperor) and was a delight to watch how ineffective the entire dynasty rule had become behind the closed doors of the Forbidden City, while the other female actress in Li Bingbing as the wife of Huang Xing came off as far too lightweight in her nursing role. Winson Chao continues in his typecast role as Sun Yat-sen, portraying him in umpteenth film projects, though at no point you'll doubt his charismatic air and gravitas brought into the role. 1911 challenges Chinese filmmakers to dig deep into their history to tell stories based on its own contemporary, formative years. Even Singapore is finally getting into the act with its own 1965 film project, and I suppose any film industry worth its grain in salt would have these films lined up under its filmography that allows for a critical and artistic look at troubled times before, the ideals held then, and the struggles many took to bring us to where we are today. It may not be Jackie Chan's flashiest role or film, but definitely one of his classiest and dignified one yet. Highly recommended!

• Commemorating the Centennial of the 1911 Chinese Revolution

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  Considering this is only a little more than an hour and a half in length, "1911" does a pretty decent job of offering the viewer a look at the 1911 revolution in China that toppled the Qing dynasty and inaugurated the Chinese Republic. The movie is heavy on battle scenes as the republicans and monarchists battle - and some of them are pretty graphic. The movie also gives a substantial look at some of the internal politics of the republican movement, which was not exactly a unified movement, except in its overall goal of toppling the monarchy. There's a few reflections on the place of foreigners and on repeated foreign interference in Chinese affairs. Basically this is pretty well acted by everyone involved, and it plays it pretty straight, with only one scene that I can recall that descends into Chinese martial arts. The fact that it is so short means that while it offers the viewer a good taste of the revolution, it lacks any real depth. Obviously, the era was far more complicated than is portrayed here. One thing that detracted from my enjoyment of the movies was the subtitles. I understand the need for them, of course, but there were two problems with them - first, they sometimes flashed by so fast that it was difficult to read them, and, second, there were many times when there were two different sets of subtitles on the screen - one translating dialogue, and one translating historical information that was being offered on screen. It was difficult to follow both, and the latter especially were written in a very small font. The movie was produced in mainland China to commemorate the 100th anniversary of the 1911 revolution. Unsurprisingly, then, the movie pays homage in its closing captions to the Chinese Communist Party as the inheritors of the revolutionary tradition. Aside from that, though, this didn't come across to me as a particularly heavy propaganda piece, which I appreciated. (6/10)

• "1911" is NOT a movie about the Colt .45 semi-automatic Pistol.

  Scott-20712011-10-10

  "1911" is NOT a movie about the Colt .45 semi-automatic Pistol. "1911" was the year of a people's revolution in China. Like many modern revolutions (Iran), this one did not end well (Mao - though that was much later). 1911 the movie is an historical drama based on the fall of the Qing Dynasty and China's first attempts at becoming a Republic. Jackie Chan co-directed and stars in a supporting role. There is one "Jackie-Chan-class" martial-arts scene, to placate his fans, having little to do with the plot. It involves little screen time, and is barely worth mentioning as fight scene or plot distraction. The camera loves Chan and he the camera. He nicely under-plays his character but has scenes where his familiar face and real acting chops anchor the movie for western audiences. "1911" overlaps the time and events of the movie "Last Emperor of China" and spends considerable screen time in the Imperial Court. In "Emperor," we meet PuYi at age 2-3 when he becomes Emperor, then follow him into adulthood and old age. PuYi was a child of 5 in 1911. 1911 was a genuine revolution a couple of decades prior to the battles that begat the time of Chairman Mao. If like me, you are barely aware of this period in Chinese History, this movie may give resolve to learn more. I have visited the rather large memorial to Dr Sun Yat-sen in Guangzhou. The Chinese Garden in Vancouver BC is an even larger memorial to him. In addition to political manoeuvrings, the movie is about the mud and the blood and the guts of a revolution. Beautiful young men and women thrown into the meat grinder for the cause of "freedom" - or so they had all hoped. The movie introduces many such young people, then returns to mourn them - brilliantly, I thought. The Qing Dynasty's end involved a couple of women serving as empresses / regents for about 50-60 years. I do not mean to say that it was a cause, only that it was an unusual fact. "1911" showed Empress Dowager Longyu (Xiao Ding Jing / Xizi) as more focused on comfort and fashion that affairs of state. Hard to know how real that was from 100 years later. She would have been 42-43 in 1911 yet the movie shows her as a much younger very beautiful woman (played by Joan Chen). Her beauty is borne out by other reports from earlier in her life, however she passed away in 1913 at 44, and later pictures suggest significant dental problems. PuYi, the "Last Emperor" was elevated to office at age 2 with affairs of state handled by a female Regent. From that day forward, PuYi was considered a living god with grown and powerful men kowtowing to his every whim. Probably bad for the psychological development of a 2 year old to say the least. I thought that 1911 showed this adequately. An Emperor / Empress had total control to manage the affairs of state, and it would be the same for a Regent acting in his or her name. Like root/administrator access on a Linux/Windows Server that can work very well indeed if the administrator knows what s/he is doing. However that level of control can also destroy the system almost as easily through ignorance - or simple bad luck. The political insulation and bureaucratic "plaque" built up for Chinese emperors is difficult to imagine. With occasional changes of dynasty through warfare, the concept of divine royalty had governed China for 2,000 years. Behind high walls and gates, The Forbidden City/palace is nearly 8 million square feet (180 acres). The Vatican is about 3/5th as large, the Kremlin 1/3. It contains nearly 1,000 buildings and nearly 10,000 rooms. 9,000 people lived there to serve the imperial family. Only a select handful were allowed to even see the face of the emperor. If you weren't on that very short list the penalty for viewing his face was... death. Thus in modern dramas, you see high officials putting their faces to the floor when the emperor enters. That is by all accounts, quite real. We know how isolated some of US Presidents have been, especially the bunker mentality of Mr. Nixon or Mr. Johnson late in their time in office; however the isolation from the "(wo)man in the street" of these Presidents is probably less than 1/100th that of the Chinese Imperial Court, due to scale, tradition and technologies. Most of "1911" is in Mandarin with subtitles but you'll hear English where a scene is set in America's Chinatown or an aristocrat's gardens in England. At these garden parties, as European bankers would drink and dine and decide the fates of nations, Dr Sun Yat Sen lobbied them to stop loaning money to the Qing Dynasty. He succeeds, inhibiting their ability to buy weapons and pay soldiers. We also follow Dr. Sun as he travels to raise funds from the Overseas Chinese of America. Dr. Sun declared that he would serve as interim President of China after sufficient battle victories allowed formation of a legislative body, but that he would resign as soon as the Qing Emperor abdicated. This he did. The political reasons and consequences of that decision are a major part of the movie. Worth your time and money in theaters, but if that can't be worked into your schedule, be sure to rent it. Scott-Bob