American: The Bill Hicks Story (2009) Reviews

• How do you do a legend justice?

  crazy-bananas2010-01-22

  Bill Hicks had built up a large and very loving fan base in his adopted home of the UK before his sad and early departure. One of life's many contradictions is that the country that spawned a genius also spurned him, most notably David Letterman scrapping his final (of many) appearances on the late show. Bill felt it was a mere biological coincidence (listen to his routines) that he happened to be a Texan, and this comedian and social commentator belonged to the whole world rather than just two countries on either side of the Atlantic. He belonged to the whole world in my opinion because he had such a relevant and timeless message, that fuelled every polemic routine. I've been a fan of Hicks since I was 18 years old, making many of the discoveries this guy had made at the same age. For anyone who regards themselves alive enough to cherish self awareness and to contemplate questions such as why do the good guys die and the twisted little men thrive in their place, tune into Hicks (not Fox News). Fitting given his fan base that this documentary was made with love by two British directors. As I said, I consider myself a huge fan, but this film shed light on an already big star, especially his formative years and relationships with his friends and family. 'American' is a journey, a ride, and one you'll be very glad you came along on.

• More than a collection of comedy bits...

  dbgeorge2011-04-09

  I was able to see this on my local cable provider's VOD. I half expected this to be part biography and part collection of comedy routines. It was heavier on the biography part and not as much a retrospective of performance bits. That was perfectly fine because this documentary was more about the man and what drove his comedy. Also, it appears Bill Hicks was an incredible blues guitarist from the few audio clips played. Most of the beginning is about his family and upbringing which sourced his early comedy. It also described his friendships and the relationships that led him into comedy. Towards the end, more of Bill Hick's comedy is performed, but more to emphasize the circumstances of his life and how he managed his career. Bill Hicks will always be one of my favorite comedians, and to see the man behind the comedy was fascinating. I have a deeper appreciation of the man and his work after seeing this film.

• Greatest American Comedian of all time . . .

  bujin_tao2010-11-18

  Namaste, Venakam, Salaam Alaikum, Sat Sri Akal. Bill Hicks' comedy has been a godsend in my personal life. Being a native of the Balkan region of former Yugoslavia trying to acclimate to American society without acculturating and losing my identity, his work was invaluable. He has said the things that most people don't even acknowledge or think about. Bill hicks was an amazing artist and human being on many levels. In particular, on a spiritual and philosophical level, he is easily the most relevant and profound comedian of all time. No other individual has managed to take the unpalatable truths of "modern society" and deliver them with the intellectual poise, sincerity and utter hilarity of Bill Hicks. He is in our hearts and minds for all eternity, and its a joy to have known his eternal individual nature through his recordings. May we meet again in the cosmic energy pool of eternity. Peace, Love & Light, Almir "It's just a ride. And we can change it any time we want. It's only a choice. No effort, no work, no job, no savings of money. Just a simple choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love instead see all of us as one."

• Great Documentary - lives up to the hype

  magic_lemur-769-3730812010-07-09

  I approached this film half expecting a cash-in, as Bill Hicks' legacy seems to have become lucrative for his relatives & each new release is often more brazen than the last (e.g. 2003's Shock & Awe). Happily, this is not the case & the film seems to be both a genuine & sincere homage to the man himself, but also a real attempt to bring something fresh & unseen to fan-boys (such as myself). The plot is fairly simple - it starts off with his early years & ends with his death from cancer. In the process, they place each of the DVD's in context & show lots of interview clips of fellow comedians, friends & family. So far, so predictable. The great thing about this film though is that they have included many, many pieces of unseen footage & have strived to put him in the context of fellow comedians (all of whom are excellent - e.g. Jimmy Pineapple) The most original contribution that the film maker's have made is to take all the 100's of photos of Bill & turned them into action-stills. A lot of the material by the man is the same, but he always had a gift of being photogenic & hence this factor symbolises the director's efforts to bring something new to the table. By no means is this film perfect & I have heard some people say 'It's not that good', but not from anyone who's actually seen it. One thing I can pick out is that there is nothing about his relationships or Girlfriends that were so formative to much of his comedy (e.g. his Fiancé Colleen McGarr). There is also the fact that the film ends with the 'It's Just a Ride' scene, which is fast becoming cliché (e.g. Zeitgeist). (Oh, and there is a bit at the end of the film which grates a little, where the screen says something to the effect of 'The Hicks family continue to live in ... & are all remarkably intelligent'. Although they may be, this seems a little bit of an affectation towards them...) Besides this, there was too much to like about this film. It was really interesting to find out how Mr Hicks used to take mushrooms on a ranch with friends & about his final cancer-ridden days. I hope that, when the DVD is finally released, it will include full extras of his 'Rant in E-minor'/ 'Arizona Bay' routines but, for now, I really hope that people will flock to buy this DVD. If the evidence of George W Bush is anything to go by, America (& the World) could really do with knowing more about Bill Hicks. Here's hoping they move onto George Carlin next...

• Goat Boy Returns

  tieman642010-12-05

  "The only downside to listening to Bill Hicks is that, once you've done so, almost every other stand-up comedian will sound like a waste of your time and an insult to your intelligence." - Andrew Mueller "I thought he was the most intelligent, most liberating social and political comic I had ever heard." - John Cleese Though he died in 1994, Bill Hicks' reputation has been growing steadily amongst comedians and comedy aficionados. Like Dean, Cobain, Marley, Morrison, Lennon etc, Hicks' death immortalised him, turned him into a hero, a microphone legend for the disillusioned youth of the 1990s. But to his fans, Hicks was more than an iconoclast. They saw him as prophet, a truth-teller whose message of love, hope, sense and reason lurked closely behind an outer facade of anger and cynicism. Describing himself as "Noam Chomsky with dick jokes", Hicks offered a strange blend of high brow and low brow comedy. He was the Holden Caulfield of stand up, exuding a dangerous and subversive cool. Hicks may once have described humanity as "a virus with shoes", but Hicks was never cynical - just angry and perpetually disappointed, as any compassionate, decent person should be. But it wasn't only his mixture of intellect and humour that made Hicks popular. Everyone loves an underdog, and Hicks was the ultimate showbiz underdog. With cancelled TV shows, censored television appearances and 12 years in the wilderness working in small clubs and empty bars, he struggled to catch a big break. He was hardworking and adored by fellow comedians, but at a time when American conservatism was at its strongest, homeland audiences simply failed to "get" Hicks' act. Then, just when stardom came knocking, Hicks developed pancreatic cancer. His audience didn't know it, but he was dying, his awareness of his impending death tingeing his later shows with a strange sense of melancholy. To some, Hicks' late shows are the closest stand up's ever come to a kind of spiritual comedy. And then Hicks died. Over the years, numerous other comedians would borrow from and be influenced by Hicks. George Carlin's entire late career emulates Hicks, though Carlin substitutes apathy and bitter disenchantment for Hicks hopefulness. Lewis Black, Doug Stanhope, Jon Stewart and a bevy of other comedians (including super-hack Denis Leary) would adopt Hicks' trademarks, mannerisms and intonations to great effect. And though dead, Hicks himself would slowly begin to gain fame. VHS bootlegs and late night HBO airings would spread his name, before the internet generation, and the second Gulf War, popped him back into the limelight. Having broken free of what he called "purple veined dick joke material" and developed a more politically and socially aware philosophy over a decade earlier, the now dead Hicks began to appeal to the jaded, twenty first century audiences of Generation Youtube. It also helped that his rants against the first Gulf War and George Bush Senior translated equally well to Gulf War 2 and George Bush 2. Hicks wasn't political in any complicated, dangerous or sophisticated way, but his scepticism about war, the arms industry, his libertarian view on drugs, his anti-corporate musings, his mocking of the stupid and/or ill-educated, bashing of presidents, love for tobacco etc, were novel on the stand up circuit at the time. Hicks' world-view – we are all energy, money and status are meaningless distractions, authenticity of feeling is paramount, embrace love, not fear – basically made him a hippie disguised as a punk or anarchist. And of course he bashed Rick Astley (of Rick Roll fame) long before anyone else did. Throw in a paedophilic satanic alter ego called Goat Boy, and you had one unique comedian. Directed by Matt Harlock and Paul Thomas, "American: The Bill Hicks Story" is an excellent documentary which has the hard task of making Bill's childhood years interesting, and chartering his long, lonely years on the road. The film consists of interviews with Hicks' family, associates and childhood pals, but the dialogue is sculpted such that the film plays less like a documentary and more like a moving 3 act tragedy. Coupled with this is an impressive style which revokes talking heads in favour for an animation technique which brings to life photographs of Hicks and his circle of friends. Aesthetically, I've never seen a documentary look quite like this. The film touches upon Hicks' childhood, his strict Baptist parents, his early days in comedy clubs, his fondness for Woody Allen and Richard Pryor, the incredibly early age at which he started comedy and his transformation from clean cut comic to ticked off alcoholic. More than this, the films shows why Hicks became the comedians' comedian. He was never sullied by Hollywood success, he was never given the opportunity to sell out, his life was cut short before he got stale and his career coincided with the age of the camcorder, all factors which contributed to his mythologization. 8.9/10 – Whether you find Hicks to be good, great or overrated (he was probably a bit of all three), this remains a sad but entertaining doc. Fans may want to check out "Bill Hicks: Agent Of Evolution" and "American Scream: the Bill Hicks story", two books which to a better job at delving into Hicks' life.