Blondie for Victory (1942) Reviews

• Blondie and Dagwood in Uniform, addressing the War Effort

  Greenster2006-03-10

  Some ask why Blondie films are not titled instead with Dagwood, who carries much of the action and comedy upon his shoulders throughout this series. Other than finding their root within the Chic Young comic strip bearing her name, these films generally focus upon situations as viewed through Blondie's perspective; it is she who defines each chapter thesis, to provide resolve for the satisfaction of one and all. In this, perhaps the most dated series entry, Blondie's task at hand seems most challenging: to present patriotism on the home front while simultaneously determining responsibility within the roles of lay citizens. While Hollywood would rise to the occasion of cementing the entertainment industry's roles during the World War II Effort, with actors' enlisting, celebrities' campaigning to sell war bonds, entertainment troupes' traveling to perform with the fox hole circuit, as well as establishing USO Canteen gatherings, "Blondie for Victory" would become this series' opportunity to present a statement for this noble cause. Here, with a large ensemble of supporting players, we experience a first-hand account of a collection of female military and nursing uniforms exhibited during this chapter's Fashion Show, narrated by Mrs. Holbrook (Nella Walker), and climaxing with Blondie's (Penny Singleton) modeling that of the "Housewives of America." Miss Singleton appears stunning in a dazzling uniform dress, apparently royal blue with red and white accents (although shot in black and white), which she sports throughout this chapter. "Blondie for Victory" (Columbia 1942) begins its [71 minutes] at the J.C. Dithers Company after most of Mr. Dithers' (Jonathan Hale) office staff has become enlisted and is replaced by members of his elder generation, written--quite unfortunately--as incompetents, whom J.C. cannot readily abide. Because of this and the fact that Mrs. Dithers (even here not yet introduced to the screen) has taken in soldiers as boarders, J.C. enlists Dagwood (Arthur Lake) to conduct business at the Bumstead residence. Often, we see somewhat implausible events transpiring in Blondie films. Here, in series' installment #12, the Babysitter (Renie Riano) overreacts to Dagwood's returning to assist Cookie (Majelle White). Why wouldn't the Babysitter know that Cookie has a father? Blondie often takes matters into her own hands without consulting Dagwood, while expecting his approval, but would she not have explained anything to the Babysitter? Meanwhile, Baby Dumpling (Larry Simms) and Daisy and her pups assist Alvin Fuddle (Danny Mummert) in canvassing the neighborhood to collect for a fund drive. And the Housewives of America, who elect Blondie, naturally, as their chairwoman, gather at the Bumsteads, to witness Dagwood's treading into hot water with the Babysitter, as well as with Alvin, and also with Mr. Dithers, who expects Dagwood to conduct business matters. Comedy fills the air as Blondie attempts to assemble the Housewives of America into formation. Their purpose, above marching and practicing First Aid on Dagwood, is purportedly to keep watch over the dam by night. And not only does J.C. Dithers, but also do the husbands of the Housewives of America object to their dismissing domestic tasks in the name of patriotism. After all, these husbands, Dagwood and J.C. included, are portrayed as ignorant to surviving without spousal assistance. When Dagwood hosts Mr. Dithers for dinner, he fumbles the difficult task of opening one can to share between them, leading J.C. to decide to assemble the husbands, to formulate a plan of action. Watch for a blooper in this scene, by keeping an eye on the calendar, which magically changes months from April to May, upon the wall behind Dagwood. At the meeting of the helpless husbands, a hapless recruit shows to complain about being reared on a farm by aunts and sisters and not receiving male bonding in the service. Pvt. Herschel Smith (Stuart Erwin) gives J.C. an idea, which complicates matters further. Most of the remainder of this film centers around the site of the dam, in the great outdoors, after dark. Mr. Crumb, former Mailman (Irving Bacon), now keeps watch over the water levels, while Blondie and her troops scout an alleged perpetrator (Charles Wagenheim), believed to plan to explode the reservoir. More trouble ensues when Pvt. Smith's Sergeant (Edward Gargan) arrives to deploy soldiers, causing a chase through the woods. Ultimately, Blondie and Dagwood gather with representatives of Housewives of America before the Colonel (Russell Hicks), to resolve the roles of--not the woman, not the man, but--the parents of young children with the War Effort. P.S. "Blondie for Victory" is written by two females, based upon a story by a third, so nobody could blame the actors too much for the use of biased opinion.

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• Patriotic Bumsteads

  lugonian2007-01-03

  BLONDIE FOR VICTORY (Columbia, 1942), directed by Frank R. Strayer, finds the Bumstead family doing their part in the war effort. In this 12th installment and nearly a year after America's involvement into the war following its historical attack on Pearl Harbor by the Japanese in 1941, this became the first time in the series where even the mention wartime is discussed, placing Blondie and Dagwood in uniform, with amusing results. This is also the entry where Larry Simms officially becomes Alexander Bumstead, by which, according to him, the "Baby Dumpling" name is out. The time is World War II and Blondie (Penny Singleton) leaves the household chores to her husband, Dagwood (Arthur Lake) while doing her patriotic duty as leader of the American Women's Volunteer Service. With the housewives participating in the war effort (one of them being Dithers' wife, Cora), the husbands are left to tend to the cooking and cleaning at home, causing the men to rebel, electing Dagwood as their leader in hope that he'll lure his wife back to active duty at the home-front so that the others will follow. He does this by borrowing a uniform from a soldier named Herschel Smith (Stuart Erwin), to let Blondie know that he's "enlisted," while Herschel finds himself mistaken for Dagwood while sporting his suit and bow tie.  The plan nearly works until the soldiers are called to report to active duty, causing Dagwood to look for Herschel and switch clothes before being taken to go on the battlefield, leading to a merry chase with Dagwood, a tough sergeant (Edward Gargan), and the military police along with a mysterious individual (Charles Wagenheim) believed to be the one to blow up the local water dam. Another satisfying episode with numerous comic highlights: Mr. Dithers (Jonathan Hale), Dagwood's boss, having trouble with his eyes, refusing to see an optometrist, involved a slight accident while driving with Dagwood with his car found in a sideway position; Dagwood volunteering as a wounded patient for the volunteering housewives, leaving him bandaged from head to toe; Dagwood having Dithers over to the house for dinner and unwittingly switching canned items leading them to eat dog food instead, resulting to boss and employee literally barking at one another; Dagwood's attempt from getting arrested or taken by the MPs while hiding in the pond of cold water with the assistance of Blondie and Dithers; and Dagwood running through the woods into Bert Crump (Irving Bacon), his former postman now retired, continuously knocking him down as he did during Crump's morning mail delivery. Adding to the supporting players are Majelle White as Baby Cookie; Don Beddoe in his third and final appearance as Marvin Williams; Eddie Acuff and Dewey Robinson as the husbands; Renie Riano as Miss Cabbler, a snoring baby sitter; Thurston Hall as the captain; Danny Mummert returning as Alvin Fuddow who bribes Dagwood after obtaining his diary with things Blondie shouldn't see; and special guest star, Stuart Erwin, as a country boy raised by his mother and sisters, wanting to break away from his female environment by enlisting as an Army private to feel like a soldier in the company of real men. Being true to his word about avoiding females, he refuses to have his picture taken with the most gorgeous movie starlets, including Rita Hayworth. While BLONDIE FOR VICTORY might have been handled more seriously due to its wartime theme, it remains relatively amusing throughout until Blondie's patriotic speech followed by the entire Bumstead family standing in front of the waving American flag. As much as this entry in typical situation-comedy, battle of the sexes theme, overall it represents true-to-life Americans doing their part for the good of humanity. BLONDIE FOR VICTORY, along with 27 others in the series, was formerly distributed on video cassette through King Features, and presented on American Movie Classics from 1996 to 2001. Next in the series: IT'S A GREAT LIFE 1943).(**1/2)

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• B&D take on the Homefront

  dougdoepke2018-11-10

  So how do you mix tricky wartime stress with B&D's wacky humor. Fortunately, the series writers manage the trick in entertaining fashion. For younger folks, historical glimpses of the war's impact on the homefront are woven in, ordinary things like tires and sugar. The first part is a hoot as Blondie organizes neighborhood wives into a wartime support group, 'Housewives for Victory'. It's early 1942, just months into the big war. Naturally, B&D have to respond, while even Daisy the dog collects money for bombs. Trouble is the wives now have duties apart from housework, which means husbands have to take up the slack. In short, gender roles get muddied. Of course, for B&D the material is loaded with all kinds of potential laughs. Now if D can only figure out which food goes to people and which goes to puppies. Then too, B needs to learn First Aid without turning D into an American Mummy. The second half, however, moves into a more conventional slapstick, with everyone racing around in a gloomy forest, including a mysterious character with a loaded sack-- is he a saboteur or what. There's not as much flag-waving as might be expected, though the women show they can march as formidably as men. Emphasis instead is on how suburban couples learn to adjust to the new conditions. For B&D that means a lot of laughs; for contemporary viewers it's an entertaining glimpse of a stressful time. All in all, the programmer's a humorously revealing 70-minutes with our adorable couple facing up to the demands of a new era. The latter half may be somewhat repetitive, but overall the entry's still worth tuning in.

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• Blondie for Victory was another funny entry in the series for the most part

  tavm2015-06-30

  This is the twelfth in the Blondie movie series. Made at the beginning of U.S. involvement in World War II, Mrs. Bumstead organizes a Housewives of America meeting to tell her fellow neighbors their duties for help in the war effort. But that means the husbands have to do what their wives normally do when they're not on duty. I'll stop there and just say there are plenty of funny slapstick scenes especially when they involve Dag with his boss, Mr. Dithers. Also, the mailman-Mr. Crump-in this ep is at another job but guess who still bumps into him here? Most of the movie I thought was funny though the chase at the end was a bit too silly for my tastes. So on that note, Blondie for Victory is worth seeing. P.S. This was Don Beddoe's last appearance in the series having previously been in Blondie Meets the Boss and Blondie on a Budget. And the only time Alexander is called by his old name of Baby Dumpling is when his father addresses him as such before quickly changing to the other one. And Majelle White played Cookie in this entry. Also, one of the movie stars mentioned by one of the guest characters was Rita Hayworth, who had appeared in Blondie on a Budget as an old friend of Dag's.

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• Want to see a lousy film? Well, here it is!

  JohnHowardReid2017-11-10

  Penny Singleton (Blondie), Arthur Lake (Dagwood), Larry Simms (Baby Dumpling), Majelle White (Cookie), Stuart Erwin (Herschel Smith), Jonathan Hale (J. C. Dithers), Danny Mummert (Alvin Fuddle), Renie Riano (Miss Clabber), Harrison Greene (Mr Green), Charles Wagenheim (hoarder), Sylvia Field (Mrs Williams), Georgia Backus (Mrs Jones), Edward Gargan (sergeant), Almira Sessions (neighbor), Don Beddoe (Fuddle), Dewey Robinson (neighbor), Russell Hicks (colonel), Eddie Acuff (neighbor), Irving Bacon (Mr Crumb, ex-mailman), and "Daisy". Director: FRANK R. STRAYER. Screenplay: Karen DeWolf, Connie Lee. Story: Fay Kanin. Based on characters created by Chic Young. Photography: Henry Freulich. Film editor: Al Clark. Art director: Lionel Banks. Music composed by John Leipold, directed by Morris W. Stoloff. Music associate: Jerome Pycha Jr. Producer: Robert Sparks. Copyright 1 August 1942 by Columbia Pictures Corp. No recorded New York opening. U.S. release: 6 August 1942. Australian release: 10 June 1943. 8 reels. 6,540 feet. 72 minutes. U.K. release title: TROUBLES THROUGH BILLETS. SYNOPSIS: In her patriotic efforts on the home front, Blondie neglects house and husband. NOTES: Number 12 of the 28-picture series. COMMENT: The 12th film in the series — and one of the worst! The story is thin, the propaganda dated, the dialogue tedious, the acting strained, the direction lethargic, the film editing inept, the art direction uninspired, and production values below par. Even my favorite joke about dog-food fails to work in this unhappy picture.

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