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Children on Their Birtays (2002)

GENRESComedy,Drama,Family
LANGEnglish
ACTOR
Sheryl LeeChristopher McDonaldTom ArnoldJoe Pichler
DIRECTOR
Mark Medoff

SYNOPSICS

Children on Their Birtays (2002) is a English movie. Mark Medoff has directed this movie. Sheryl Lee,Christopher McDonald,Tom Arnold,Joe Pichler are the starring of this movie. It was released in 2002. Children on Their Birtays (2002) is considered one of the best Comedy,Drama,Family movie in India and around the world.

In the summer of 1947, a mysterious thirteen-year-old girl, accompanied by her mute mother, seemingly appears from nowhere. When two thirteen-year-old boys fall deeply in love with her, they find themselves on a collision course with one another that could not only destroy their friendship, but take the tiny town of Medda, Alabama with them.

Children on Their Birtays (2002) Reviews

  • A lovingly crafted treat for the whole family.

    Stapleton10182003-01-21

    This sweet and touching adaptation of Truman Capote's coming-of-age short story takes place in 1947 Alabama. The cinematography, locations, and music skillfully help set the stage for a time when reading books or listening to the radio were a major source of entertainment. World War II veterans were attempting to return to their former lives, war-widows were still dealing with their losses, and Jim Crow was a legal reality. Into this setting steps Lily Jane Bobbit, a 13-year old with ideas of her own as to how the world should work. The story includes the blush of first love, friendships that see no colors, and actions and words that come from the heart. In this era of movies relying heavily on violence, profanity, car chases, and sex to hold your interest, this movie is a refreshing change of pace. It's a lovingly crafted film that's a treat for the whole family.

  • A beautiful coming of age film!

    saved4eternity2006-08-25

    I remember being so disappointed that this film never made it into my local theater after seeing the trailer for it played there more than once. Obviously, the theater management did not think such a sweet film, an innocent film, could capture much of an audience. They were wrong. It captured me wholeheartedly. Not only is the movie cinematically beautiful, with a small town backdrop much like that in My Dog Skip, but the characters seem to have been dropped right out of the 1940's. Yes, some might call it schmaltzy, sugary, even overdone in some respects. Lily Jane's overdone accent I found particularly annoying. But Hollywood has done its best to give us the dark side, the horrific side, the characters filled with malice and malevolence. I find this film so refreshing and well acted as well. Using mostly unknowns makes the film feel even more comfortable. The characters are on an even playing field and each contributes more than his share. Children on Their Birthdays tells a simple story of growing up, mending fences, finding our way in a world which can be a very cynical place. But the children here give us hope that if their innocence can translate into tenderheartedness as adults, maybe we have a shot at a better tomorrow after all.

  • Painfully Unfaithful to the Original Short Story

    bohemian-32006-04-03

    If you love Capote, and if you love his whimsical, dark, comic short story "Children on Their Birthdays", DO NOT WATCH this unfaithful and insulting adaptation. The writers and producers have turned Mr. C's insightful piece on the role of the artist in society into melodramatic slop touching on a wishy-washy childhood crush and a stale, lukewarm statement on prejudice and race. Gone are the biting satire, insight, clever language, and punch-in-the-gut beginning and ending sentences of the original piece replaced by a made-for-TV generic script and story that bare little if any resemblance to the source material. Capote when he died asked to be cremated, half his ashes interned on the west coast and half on the east so that he could be throughout eternity be bi-coastal. Though he can't roll in his grave, his ashes are surely undulating in their urns in California and New York after this disgrace bearing the name of one his most wonderful and cherished short stories.

  • A surprisingly good family film

    jerrywilson2004-03-14

    I rented the DVD because I was simply in the mood to watch a movie, and I'd seen almost everything else new that hadn't already been rented out. So I gave "Children on Their Birthdays" a shot, not expecting too much. I was surprised to discover that I really enjoyed it. In fact, the day after I had watched it, I found myself thinking about the characters and smiling. So I bought the DVD and have watched it several times since then. I won't go into a detailed description, because that's already been done. But the characters are endearing. Despite a forced southern accent by Miss Lily Jane Bobbit, she is still the centerpiece of the movie. All the children performed wonderfully. The movie is a study in contrasts: Honesty vs. dishonesty, rural vs. urban, child vs. adult, etc. Overall, it's a movie deserving of a higher rating than it has received. I gave it an 8.

  • Not about birthdays.

    Cipher-J2003-06-17

    Somewhere, in an alternate reality, it could be possible for a 13-year-old girl to have the wisdom of a Socrates, the social awareness of a Martin Luther King, the vocabulary and diction of a college professor, and the grace and beauty of an Audrey Hepburn. On the other hand, putting adult lines in the mouth of a child is usually done for satire. Situation comedies often depend for their gags on having kids speak smart-alecky lines. Hearing wisecracks from a kid that no kid would ever think of makes us laugh, and that's why the formula works. In this case, however, it isn't a comedy, and the lines written for the child are not intended to be amusing. Of course, no such alternate world exists, but what if it did? And what if such a girl turned up in the reality of a small southern town circa 1947? She would be as foreign and alien to that locality as if she had come from another universe, and in that sense becomes a kind of allegorical figure of redemption. It is presented as a "coming of age" film, but this is not just a story about the normal agonies of growing up. There is a "Twilight Zone" quality to the character of the girl. There are two boys who are "supposed" to be her age, and hence there is a sub-plot concerned with their feelings for her. But psycho-emotionally she is light-years more mature than they, and that is a point most reviewers seem to miss. It isn't so much about youth growing up over a case of first love, but a myth about a daughter of the gods sojourning among the mortals for a season. Truman Capote, who wrote the original short-story from which this film was adapted, was something of a heretic, and it is tempting to speculate on what the screenwriter might have been thinking in regard to this character. For example: What if Jesus came back in 1947 in the form of a little girl? Wouldn't "that" be a surprise? Not that there is anything about the story to suggest such a "religious" quality, but the character of the girl is clearly mythical in comparison to her alleged contemporaries. She comes into town mysteriously, there are miraculous events associated with her actions, she is wise beyond her years and even the elders are astonished by her words. It is a different story, and a pretty good one as well.

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