SYNOPSICS
Deconstructing Harry (1997) is a English,Hebrew movie. Woody Allen has directed this movie. Woody Allen,Judy Davis,Julia Louis-Dreyfus,Stephanie Roth Haberle are the starring of this movie. It was released in 1997. Deconstructing Harry (1997) is considered one of the best Comedy movie in India and around the world.
Harry Block is a well-regarded novelist whose tendency to thinly-veil his own experiences in his work, as well as his un-apologetic attitude and his proclivity for pills and whores, has left him with three ex-wives that hate him. As he is about to be honored for his writing by the college that expelled him, he faces writer's block and the impending marriage of his latest flame to a writer friend. As scenes from his stories and novels pass and interact with him, Harry faces the people whose lives he has affected - wives, lovers, his son, his sister.
Deconstructing Harry (1997) Trailers
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Deconstructing Harry (1997) Reviews
Vulgar, funny, honest, sad, a little bizarre
Woody bares his soul--again--and if the introspective vision of the sad clown (growing old) isn't what you're expecting, the film is likely to be a disappointment. The film is funny, of course, and vulgar (as most Allen movies are), but it's also bitter and cynical, and rather sad. The jerky jump-cuts might be a stylized editing cover-up for jumping from take to take to utilise the best performances of a pantheon of actors, or they might be planned...I don't know. I had to see a few of them before I settled into accepting them as "the style", but I decided they work in this film. Other "user comments" complain about Woody and the sexy young women. That bothers me in some films, but not here. Here it's part of Harry's character--part of Woody's "character"--and is clearly part of his problem. I think this is an honest film, a sad and revealing film about one of the most clever and creative writers in America. It's funny, it's witty, and it's also depressing. It has moments of pure, laugh-out-loud humour (eg. the elevator going down to the bottom floor of hell; Harry arriving at the honouring ceremony with a dead body, a prostitute, and his "kidnapped" son in the car), but underneath it's the story of a man who cannot function happily in real life, only in the fictions he creates. Although fantasy plays a major role in the story, the story is not a fantasy. The parallels between Allen himself and the character and plot he's created here are obvious. I enjoyed watching this video, and would recommend it-- selectively--to friends. If you like the Allen sense of humour, want to see a fairly unusual editing style used effectively, want to see some superb acting cameos by some very talented actors, or have an interest in the torments of a neurotic middle-aged genius and how they might be revealed on film, then you'll like this movie. If this doesn't sound like your kind of thing, watch something else.
One of Allen's Best
Just as I've found a newfound appreciation for Elvis Costello, I've likewise opened my heart to Woody Allen (my New Year's resolution: be nicer to nerdy art-types). I even saw Deconstructing Harry twice, (after which I read a Woody Allen collection of short pieces and rented both Bananas and Everything You Always Wanted To Know About Sex). Hey, what can I say I thought The Purple Rose Of Cairo might've been a fluke, but I guess I'm just a Woody Allen fan now. Deconstructing Harry is laugh-out-loud funny, tracing the steps of Harry Block, a neurotic, foul-mouthed, Jewish, self-hating, pill-popping, womanizing alcoholic (three wives and six therapists later) that oddly enough, resembles Woody Allen and his own life (give or take a few things). Block has (giggle) writer's block, and can't write about his life. As a result, he becomes `unfocused,' entangling himself in fact and fiction (i.e. he interacts with his own characters). `You expect the world to adjust to the distortion you've become,' Harry's analyst tells him. What follows is a series of skits that interact with the past and present and the real and imagined it's kind of like watching a Kurt Vonnegut story edited by Quentin Tarentino. The all-star cast is phenomenal: Robin Williams is hilarious, Kirstie Alley is hysterically funny, Julia Louis-Dreyfus is super-sexy and Elizabeth Shue is as sweet as sugar. Billy Crystal even pulls off a good role as the Devil. But other than the characterization, Woody's new flick is witty, cold-hearted, extremely vulgar, often tasteless and perfectly profane with enough catch-lines to keep film buffs cracking for years (`I always keep a little hooker money around'). Hannah And Her Sisters this ain't!
Allen at his best
Regardless of what Woody Allen may do in real life, he surely shines through his films. Just like the main character in this film who can't seem to get personal matters resolved, Allen faces the same predicament each day. He lets his films do the talking and stays away from the limelight. Deconstructing Harry does him justice in a few sequences as to what he feels and how the media treats him. This film showcases some of Allen's better quirks when it comes to storywriting and directing. The much used "jump cut" effect helps to create a world that is disjointed from all else. When things are going fine, there are no jump cuts. However when things are less than opportune jump cuts add confusion to the scene and are used more often as the tension increases. The "out of focus" effect is the first of its kind and is very funny. The Robin Williams cameo didn't have much meaning, but his scene was one of the funniest due to him losing his touch. The same effect is used on Allen himself later in the film in another hillarious scene. The storyline has many layers and isn't at all confusing (as others may have you believe) to the viewer. The use of actors portraying actors in this film is pure Allen genius and is another way that this film differs itself from the crowd. It is not so much that one follows along to see what happens to Harry, but rather to see what is going to happen next. When Allen needs an entourage to go to his alma mater honouring, he ends up taking a very unlikely group. The humour is at times crude and pokes fun at his usual groups (ie - ultraorthodox jews, hookers, WASP's and just about everyone else). Allen uses his interesting techniques and smart plot to make this such a good film. One can only wonder how he always gets the foxes. At least he got Billy Crystal to play the devil. How fitting. 8/10 stars.
Allen's most underrated film
It isn't as lovable as "Annie Hall" or "Hannah and Her Sisters," and it's not as overtly philosophical as "Crimes and Misdemeanors." And that's probably why "Deconstructing Harry" is underrated by film/Allen fans. Still, it ranks among the Top 5 Allen films. Woody plays a Philip Roth-like fiction writer who is lecherous, unlikable, and disloyal; in dropping his "cute loser" shtick, the performance rings with more honesty than he's had in years. In a nod to Bergman's "Wild Strawberries," Allen's character has a chance to reflect on his life as he travels to a university for an honor. Memories mix with scenes this writer's fiction, providing opportunities for the large and excellent ensemble cast. Many of Allen's later films seem tired, but the neurotic jumpiness he brings to "Deconstructing Harry" reinjects energy into his work. If you loved "Husbands and Wives," try this. I rate it 9.
One of his better movies, where you can see the possibilities of true cinema
I'm sure some people wouldn't agree with me, but this movie is a great piece of art on film. Like Hitchcock, Coppola, and others, Woody Allen is a real cinema artist. He makes great use of the possibilities of cinema without losing himself in expensive special effects. Of course cinema is a medium to create a near-perfect realism on a fictional story. But it can also be an artistic medium. Playing with the possibilities. An example in this film is Robin Williams. A men who is 'out of focus'. The story is, like most films, not very original. A character that struggles with his personality and social life. But unlike most movies, you can see an artist made this film. It's a Woody Allen creation. His own style, his own characters, his own humor. Not a collection of an expensive scriptwriter with an expensive director, an expensive special effects team , an expensive director of photography etc. to make a total non-personal creation for the big public. Of course the whole crew did a perfect job, but it is surely a Woody Allen film! A great movie with a nice plot. Some nice switching in timeline and fiction / reality (for the story that is) makes it more interesting then the story really is. Also the jumpcuts, the camera movement, the cast and the humor are making this film a must see! Even if you are not a Woody Allen fan you will like this movie. If you are a fan of big blockbuster movies (standard Hollywood confention movies) this movie is a must see as well! Not only to see the real art of cinema (something different then perfect special effects) but also just for a nice evening and some good humor.