SYNOPSICS
Dementia 13 (1963) is a English movie. Francis Ford Coppola has directed this movie. William Campbell,Luana Anders,Bart Patton,Mary Mitchel are the starring of this movie. It was released in 1963. Dementia 13 (1963) is considered one of the best Horror,Thriller movie in India and around the world.
Whilst out on a rowboat with his wife Louise, John Haloran has a heart attack and dies. She casts his body overboard and hides his death telling the family he left on an urgent business trip. Louise's main concern is that she can only hope to inherit part of his family fortune if he's still alive. The Halorans are a strange family. They are still grieving over the death of the youngest daughter, Kathleen, who drowned in a pond when she was a young child. The family hold an annual ceremony of remembrance, on the anniversary of her death. But this year someone is wielding an ax...intent on murder.
Dementia 13 (1963) Reviews
"Well this is the Devil's own climate."
Dementia 13 is Francis Ford Coppola's first flick, his directorial debut. Yeah, that's right. The man that brought you Apocalypse Now and The Godfather worked first in horror. And worked well I might add. Under the producing eye of Roger Corman, this is one of the earlier additions to the slasher genre, and it's not bad. A few flaws keep this one from being a black and white masterpiece. My biggest peeve with the film is the fact that it's not real hard to see who the killer is. They should have done a better job of masking his face. There are a few priceless scenes though. The radio being tossed into the water, and the muffling of the music is quite cool. I love the part where the killer is dragging the girl's body by the wrist, it's rather wicked. It also has perhaps one of the earliest decapitations. Patrick Magee is fabulous as the aristocratic doctor. This hard to find gem is worth looking for, especially for old school horror fans.
Good whodunit/horror flick with twists...
1st watched 5/31/2003 - 6 out of 10(Dir-Francis Coppola): Good whodunit/horror flick with twists around every corner and old-style scary movie feel. This is the first effort from Francis "Ford" Coppola with probably a shoestring budget with producer Roger Corman also involved. What is done well in this movie is the storytelling and the use of sound/music to keep you on the edge-of-your-seat. For 1963, this movie probably was rather shocking because of it's realisticly violent scenes but the core of the movie is the good story. Coppola shows here that his career in film will be promising and it has been. Good for collectors and for just people who like good horror/mystery movies.
A very good debut!
Back in the early 60s, filmmaker Francis Ford Coppola was taking his first steps as a director, and after directing two "Nudie Cuties" (his very first two works), he began working with legendary producer Roger Corman as an assistant in several tasks such as dialog director, actor and finally working in the sound department of Corman's 1963 film, "The Young Racers". It was while filming this movie in Ireland when Coppola finally convinced Corman to allow him to make his first "legitimate" film: "Dementia 13", a low-budget horror film using the same locations and most of the cast of Corman's movie. Impressed by the script that Coppola and writer Jack Hill devised, gave Coppola free reign over the film and went back to the America, leaving all set for the debut of a man who would become one of the most important directors of the 70s and 80s. Louise Haloran (Luana Anders) has a problem, her husband John (Peter Read) has died and therefore legally she is unable to claim any inheritance if John's mother dies. In order to retain her part in the testament, Louise decides to make everyone believe that John is still alive and pretending he was sent to New york to work, making him unable to accompany her to the family annual Memorial service they do for John's younger sister Kathleen in Ireland. at her arrival, everything seems to work out fine at first, but John's older brother Richard (WIlliam Campbell) begins to suspect that something is wrong. However, soon this becomes Louise' lesser problem, as something bigger and morbid seems to be going on inside the dark corridors of Harlan's Castle. "Dementia 13" was written mostly by Coppola in a few days, but after Corman allowed them to continue with the project, Jack Hill helped Coppola to finish the script. The story is basically a mixture of traditional Gothic horror with elements of the slasher sub-genre that was in its early stages during those years ("Dementia 13" shows a lot of influence from Hitchcock's "Psycho"), and while it is indeed a bit messy and contrived at first sight, it does deliver an interesting mystery and good doses of suspense. It's not the most original movie ever (not even for its time), but it's very noticeable that Coppola was not going for the easy route of showing shocks ("lots of sex and violence" as he supposedly promised to Corman) and actually attempts to built a thrilling story of intrigues and madness. While the plot may not be the film greatest strength, the direction by Coppola is surprisingly very good for a debut as he shows a raw display of the talent that would take him to the top in the future years. Giving a great use to the Irish castle that serves as location to the film, Coppola creates a nice atmosphere of dread and well, dementia, that fills the film with ominous power and gives it a personality of its own. Despite his limited resources (even for Corman's standards), he manages to come up with some good (although sparse) special effects that look impressive when one considers the shoestring budget he had to work with. Of course, "Dementia 13" is not really a great or remarkable film, but it's very good for a first time director and it's also really obvious that this is where Coppola learned many things about his craft. Overall the cast does an effective job and manage to carry the film without too many problems. Luana Anders as Louise Harlan was probably at the top of her game and really shows that she is more than a pretty face. William Campbell as Richard Haloran is also excellent in his performance, although a little over the top at times. The film's best performances are given by Eithne Dunne and Patrick Magee, who as the unstable Lady Haloran and her Doctor respectively, give the film a dignity and a class uncommon in other similar movies. Magee is easily the highlight of the film, as he transforms what otherwise would be a two-dimensional character into a full fledged character with his charm and enormous talent. This movie is a quite good example of how the cinema was evolving in the 60s, as the style and overall tone feel very fresh and young; however, those expecting to see another of Coppola's masterpieces in "Dementia 13" will be sorely disappointed. The movie's biggest problem is the somewhat messy script, that not only feels a bit too derivative from "Psycho" in some moments, but it also can become confusing and tedious at times. Fortunately, the cast does a very good job (considering the limitations) in solving this and along with Coppola's original direction literally save the movie from being a failure. "Dementia 13" has gained a good reputation over the years, and while most of it is probably due to Coppola's later success as a director, it's hard to deny that there is real raw talent in the making of the film. Personally, I think that the best way to appreciate this early Coppola movie is to go without expectations and be willing to enjoy the ride. A very good, albeit flawed, horror movie. 6/10
Scares on a shoestring and it's not bad.
When Alfred Hitchcock's Marion Crane (of "Psycho") stepped into the shower and met her fate, it kicked off a slew of stark, grisly chillers about nutcases, often wielding butcher knives or axes. This entry has the distinction of being one of Coppola's earliest directorial efforts and it is clearly influenced by Hitchcock, though without his budget or seasoned mastery. Anders plays a rather nagging wife who is visiting her husband's ancestral castle with him just in time to "celebrate" the anniversary of his kid sister's funeral. He, his two brothers and his mother gather annually to pay tribute to the little girl who was drowned on the premises years before. One brother (Campbell) is an angry sculptor with an American fiancee (Mitchel.) The other (Patton) is a gentle, sort of shy type. The mother (Dunne) can't get past the death of her daughter and faints on cue each year at the ceremony. Not long into the film, one death sets off a chain of events that unleashes a couple of other ones to where no one at the castle is safe and the audience is often not certain who the mad killer is (though veteran fans of horror/suspense shouldn't have that much trouble figuring it out.) The film is far from perfect, but given the unbelievable budgetary and filming restraints, it does manage to conjure up some creeps and story interest. The only part that really drags is the section involving an overly inquisitive doctor (Magee.) Otherwise, there is creativity in the filming of the deaths and a nice sense of atmosphere throughout (even if almost none of these Irish characters has anything resembling an accent!) There are slicker fright films out there, but this one wins points for accomplishing pretty much with precious little to work with.
Worth much more than rating reflects
Being a film buff, and not exclusively a fan of the horror genre, I saw the average rating on imdb and expected a kitchy, amateurish farce-of-a-flick. What it turned out to be caught me absolutely off-guard. The only thing more terrifying than the film itself was the poor overall rating it received on imdb. This is a superb example of a psychological thriller, and certainly the most underrated and underappreciated film of this genre I have ever seen. Dementia 13 is a fairly simple narrative on the surface, but underneath it is an interweaving story, each branch adding depth and mystery to the story and each branch being a carefully-planned twist of the senses. My wife, being a huge fan of the genre, especially of films from the 60s, has already encouraged me to watch numerous other films similar in narrative feel, such as "The Innocents" based on The Turn of the Screw by Henry James or "The Haunting" based on the Shirley Jackson story. After seeing so many films, many of which were based on well-crafted stories by famous authors, it astounds me to think that A young Francis Coppola not only directed this superb film, but CONCEIVED it and WROTE it as well. The result reads just as well (and even better, in many cases) than many well-crafted novels, itself being a story of an utmost macabre and chilling nature... and the storytelling leaves little to be desired. Francis Coppola, only 22 at the time, made this film with a miniscule budget of only $20,000 and an extremely rushed shooting schedule. It is no wonder Coppola blossomed into a well-respected, master craftsman of film. And the limited resources all but completely excuse any of the flaws in this film. Looking at the facts about the film and its maker surely must invoke jealously in any artist who realizes what true masters can accomplish at a young age. Yes, it is true that Dementia 13 takes elements from Hitchcock's Psycho (among other Hitch films), including anticipatory tension, a finely dissonant score, and even several camera shots, but Coppola isn't just mimicking Hitchcock. He's manipulating the very essence of what makes Hitchcock frightening, while adding his own distinct style and flavor to the film. And it IS genuinely frightening. It implies unspeakable things and it toys with one's mind as one watches it. And when the screen DOES show you something you've been anticipating, (partly in thanks to the demented film score,) expect to be surprised and expect your skin to tingle something fierce. The psychological angle with which Coppola approached Dementia 13 leaves one with the terrible sense that the human mind REALLY IS capable of this kind of demented horror... which, of course, makes the film all the more terrifying and satisfying. This film is not merely an amateur's flailing attempt. It is the first masterpiece of a blooming genius. The rating it has on imdb is appallingly low. I can't even begin to wonder what kinds of bad horror films are getting better ratings by people. Maybe more people just need to see this fairly obscure film before it will get its overdue appreciation. 9 out of 10