Easy Virtue (2008) Reviews

• Mad Englishmen And Foxes

  bkoganbing2010-04-30

  Jessica Biel who is still probably best known for being the virtuous good girl preacher's kid Mary Camden from 7th Heaven gets to tackle a classic Noel Coward role in one of his early plays Easy Virtue. She's the American interloper in an English aristocratic family and she's unsettling to family matriarch Kristin Scott-Thomas. Noel Coward who wrote about these upper classes and twitted their pretensions with such wit that they kept coming back for more and kind of adopted him in a way they never adopted Oscar Wilde or George Bernard Shaw, was a kid who grew up in poverty and made his way out through his many talents to entertain. Those in the upper classes who took Coward to their hearts felt themselves to be modern, progressive, and generally with it in terms of social trends. The Whittakers in Easy Virtue are some other kind of aristocrats, not anybody like that hangs out at the parties we invite Noel to entertain at. What Amelia Earhart is to aviation, Jessica Biel's character is to auto racing. She's a young widow from the Detroit area and of course being from that area has an interest in motor cars and auto racing. She's fresh from winning at Monte Carlo and she's also won young Ben Barnes the heir to the Whittaker name and estates. Which might not be all that much, there's a name and a lot of land and debts. When Barnes brings Biel home to the family they are mortified by her classless American ways in the sense of not recognizing class distinctions. It was one of those things we got rid of after 1776, no titles of nobility. We had our aristocrats, but that's a whole other story. Scott-Thomas dominates the family, trying desperately to keep the estate together. Her husband Colin Firth served in World War I and the horror of it did something to him. It probably not only has to do with the horror of that trench war slaughter, but the fact that class distinctions tend to melt in combat. He and Biel kind of like each other, but it's his wife who rules the Whittaker roost now. A scandal from the past threatens to disrupt the Barnes/Biel marriage and that forms the crux on which the story turns. In fact at the end its really up to the viewer to figure out what will eventually happen with the two of them. This is the second film adaption of Easy Virtue, the first was a silent film from 1928 and was directed by a young Alfred Hitchcock. Easy Virtue was actually premiered in America before London in 1924 and starred the great American stage actress Jane Cowl. I guess Coward figured with an American heroine it was best to get it before the American theatergoers before the British ones. This version of Easy Virtue is directed flawlessly by Stephen Elliot who made a fine use of period music by Noel Coward, Cole Porter and others and in the end over the credits really mocked the upper classes in the Coward tradition by playing When The Going Gets Tough, The Tough Get Going. I believe Elliott was trying to say those classes, especially the ones we see here might not have the right stuff any more. And of course there's the obligatory fox hunt which the upper classes indulged in, still do. As Oscar Wilde said, "the unspeakable after the uneatable." Any chance for the younger generation to be exposed to Noel Coward is worth seeing.

• Witty & Wonderful

  corrosion-22008-10-14

  Easy Virtue is a very liberal adaptation of Noel Coward's play. Director Stephan Elliot (The Adventures of Priscilla, Queen of the Desert) has tried to make the film more contemporary and very distinct from the Merchant-Ivory school of film. The story is set in the roaring twenties where John (Ben Barnes) from an aristocratic English family marries Larita (Jessica Biel), an American race driver, after a whirlwind romance in France. However his mother Veronica (Kristin Scott Thomas) is none too pleased while John's father Jim (colin Firth) finds a soul mate in Larita. These relationships, including those with John's sisters, make for a very intriguing and entertaining hour and a half, The acting, as could be expected from such a cast is uniformly excellent with perhaps Jessica Biel standing out a little more. One of Stephan Elliot's nice touches is an anachronistic use of such songs as Car Wash and Sex Bomb, done in a very twenties style. The addition of a hilarious "dog scene" is another nice touch. Fans of Noel Coward (and even Merchant-Ivory) won't be disappointed.

• Light Frothy Fun and more

  Brian B-22010-02-24

  I enjoyed this movie a fair bit more than the average viewer, if ratings are to be believed. This very British film is a nice switch from the typical Hollywood romantic comedy, and does not attempt to squeeze within the conventional mold which runs from Four weddings and a Funeral through Love Actually and beyond. The wry influence of the original Noel Coward play becomes fresh again decades later. Colin Firth is especially adept underplaying the dissolute father in law. He is just there, being, not acting.Totally believable and convincing. When his character is illuminated in a brief soliloquy two thirds of the way through the movie, he is brilliant, and without the ham fisted exposition of so much modern writing, the entire family story is explained, and powerful social commentary on topics from hereditary lands to fox hunting to war to social decay to euthanasia are digested without chewing. A great example of "Show, not tell". Jessica Biel is beautiful, here as always, and is never requested to do more than she is capable of. I particularly liked how the film makers did not beat us over the head with her sexuality, going with a muted sensuality most of the movie, except in key scenes where her full power is unleashed to excellent effect. Kristin Scott Thomas is well cast as the domineering disapproving mother in law, and the British supporting players are treats, though I thought Ben Barnes as the love interest lacked the presence to hold his own in this cast. We could use more movies like this.

• Easy Virtue - easy on the eyes - a charming and crafted film

  pedrothefish2008-11-17

  It is not uncommon in a film to see British "stiff upper lip" challenged and outflanked by an outsider - normally an American. As a Brit you learn to put aside any feelings of protectiveness and sensitivity and try to give the film it's fair credit when such a story is presented to you. In the case of this film - Easy Virtue - this is not difficult to do as it is a well acted gem of a period piece that overcomes any of the initial worries about stereotypes and charms and amuses all the way through. Kirstin Scott Thomas is superb as the glacial matriarch, Colin Firth detached and louche as her distant husband, Jessica Biel believable as the breath of fresh air ( gust of cold wind ) introduced into the family by the eager but naive son. Kris Marshall gives an amusing performance as the world weary - seen it all butler and as a whole this is a good enjoyable film. Taken as it is from a Noel Coward play, I am not sufficiently qualifies to comment on how much , or little, the film has changed the spirit of the play - I suspect not a lot as Mr Coward delighted in ridiculing the sensibilities of the British gentry and if the stiff upper lip is going to be ridiculed by anyone better that it is a Brit !!

• When was the last time a Noel Coward play was made into a movie, anyway?

  KissEnglishPasto2016-07-28

  ........................................................from Pasto,Colombia...Via: L.A. CA., CALI, Colombia and ORLANDO, FL EASY VIRTUE is a clear example of the fact that making an outstanding film just isn't all that EASY! When was the last time a Noel Coward play was made into a movie, anyway? I could've looked it up, but I'll leave it to you, if you really think it's all that important! I'll wager the Producers, Director & Screenwriter didn't see most of the screen adaptations of his plays done in the 30's/40's on TV when they were kids, as I did. Seemed they were a bit out of their element...at times. The end result: It's EASY to see the film was being pulled in several different directions, which was most apparent early on. In fact, EASY can be divided into 3 segments of roughly 30 minutes each. Segment one really didn't seem to know where it was going. It suffered from poor pacing and a pervasive tension on the set that permeated several of the scenes. What had me close to quitting on EASY were the very awkwardly inserted bits of slapstick, obviously an attempt at comic relief, but which seemed utterly contrived and out of sync with most every other aspect of the film. Segment two was a definite improvement. Toned down considerably were the scenes involving slapstick. Only a few brief moments, which were much better integrated into the work. The culture-clash, the true razon d'être of EASY, between Jessica Biel's(Cellular) character, Larita, an independent and free- spirited American race-car driver of sorts, and the lady of the manor, Mrs. Whittaker (Kristin Scott Thomas/The English Patient), who turns out to be one lady with an extremely controlling and manipulative manner, is handled much more smoothly in the second segment, and, as a consequence, these scenes are much more amusing, even occasionally funny! The closing segment really had me in its grip. The ensemble cast really shone. Finally, we see evidence of why so many of Noel Coward's plays were made into movies. All the outstanding elements; costumes, sets and music among others, really contributed to a very fulfilling final ½ hour! Colin Firth deserves a mention, perhaps EASY's best performance. Had the entire film been at segment three's level, 8*--EASY! However, I feel 6* is a fair overall rating .....ENJOY/DISFRUTELA! Any comments, questions or observations, in English or Español, are most welcome!