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Interview with the Assassin (2002)

Interview with the Assassin (2002)

GENRESDrama
LANGEnglish
ACTOR
Dylan HaggertyRaymond J. BarryRenee FaiaKelsy Kemper
DIRECTOR
Neil Burger

SYNOPSICS

Interview with the Assassin (2002) is a English movie. Neil Burger has directed this movie. Dylan Haggerty,Raymond J. Barry,Renee Faia,Kelsy Kemper are the starring of this movie. It was released in 2002. Interview with the Assassin (2002) is considered one of the best Drama movie in India and around the world.

Out of work TV cameraman Ron Kobelski is approached by his formerly reclusive neighbor Walter Ohlinger. Ohlinger claims that he was the mysterious "second gunman" that shot and killed President Kennedy. Ohlinger has kept quiet all these years, but has decided to tell his story now that he has been diagnosed with terminal cancer. Kobelski is skeptical of his neighbor's story, after his investigations provide ambiguous answers. His attitude changes, however, after he receives threatening messages on his answering machine, and spots shadowy figures in his backyard. Is Ohlinger telling the truth? Or is there a bigger conspiracy at work?

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Interview with the Assassin (2002) Reviews

  • Terrifying

    drifkin2003-06-17

    Blair Witch Project meets Oliver Stone's JFK and puts both to shame. Nasty, brutish, and short (85 minutes) and true to life in every other way too. Highly sophisticated and intelligent, it cuts right to our most primal fears while presenting itself in a deceptively primitive fashion. Explores the shadows in our recent history and national psyche with acute, paranoiac vision.

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  • Minamalist Masterpiece

    feverdeang2003-08-28

    Why aren't there more comments and viewers for this disturbing little gem? The best conspiracy movie(JFK, PI or otherwise) in may a year hits all the right notes technically and plot wise. Filmmed digitally (SONY PD-150) with such skill that you'll be checking your TV/DVD resolution in the first five minutes, the filmmakers use every advantage and disadvatage of the digital format to their benefit. The camera work begins static, rigid local TV news style then slowly takes on a subtle impressionistic style that blurs the line between docudrama and fiction. Viewers not interested in film as a meta-(self referential) text need not apply. After starting with the formal aspects of the JFK mystery, camera angles, do pictures lie, tampered evidence and conflicting witnesses the film then seems to turn on the viewer so that we are put in the position of one of those unlucky witnesses who were bribed, intimidated, bullied, framed or killed for seeing just a little too much. The performances are uniformly great, starting with the ballistics man who plays his part so straight I had to mentally check and remind myself this wasn't a documentary. The ex-wife was brilliant. All the actors were just realistic to the point of surrealism. I'm now babbling, SEE THIS MOVIE

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  • Paranoia American Style

    littlemartinarocena2007-02-20

    Raymond J Barry carrying his paranoia like a badge of honor takes us for a extraordinary ride of the creepiest kind. Feeding into our own fascination with all the conspiracy theories surrounding the JFK assassination. Neil Burger brilliantly concocts a mock documentary that feels truer than most real documentaries and I was taken in, totally. I felt as eager to get to the mysterious John Seymour as the interviewer - a splendid Dylan Haggerthy -. The interview of the assassin's ex wife, played chillingly real by Kate Williamson, is a little gem on its own and the performances, if you can call them that, are uniformly startling, embedded in that, clumsy but undeniable truth that only non professional actors are capable of. Recommended for Unsolved Mysteries junkies as well as for film lovers everywhere

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  • Very good low-budget mock documentary, Raymond Barry is great

    vchimpanzee2004-10-24

    Walter is 62 and has terminal cancer. He has a confession to make before he dies, and he chooses cameraman Ron to tell his story to. Apparently Walter fired the shot that killed John Kennedy. Ron and Walter visit Dallas to see where the event happen, and later they go in search of the truth ... but someone doesn't want them to know what really happened. Toward the end, things get interesting but ridiculous. Raymond Barry was very convincing, very natural as Walter. Most of the characters in the movie seemed like real people. The jerky, almost amateurish camera work made this seem like a real documentary. Nearly all of the film was told from the point of view of one of Ron's cameras, including security cameras at his house. It was a very low-frills production, with almost no music except for radios and background music playing in buildings. I'm no expert, but this seems like the sort of film that wins awards or at least gets nominated. If it had been a real documentary, it probably would have.

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  • ...an impressive and challenging piece of work.

    paul_supercala2002-12-10

    Although it seems strange that the film (apparently coincidentally) opens on the day of the 39th anniversary of JFK's assassination, it thankfully stands on its own as an intriguing look at the possibility of the "grassy knoll gunman" theory. While it is by no means a conspiracy or propaganda film, it is, in fact, a "fake documentary" a la Blair Witch, that seems often very real thanks to Raymond J. Barry's amazing performance as a nut (or is he?) who claims to be the second shooter in the President Kennedy's assassination. His commanding presence adds a sense of danger and seriousness that makes the film such an impressive and challenging piece of work. First time writer/director Neil Burger brings you in to the story and keeps you wrapped up in it in a way that most great feature films do, while still having that gritty documentary feel. Dylan Haggerty plays the cameraman who is "lucky" enough to become involved in such a dangerous story that he cannot decide if his subject is for real or not until he goes over the edge. It's a fascinating concept, really. Imagine someone with information of that magnitude coming forth with his story only because he has a few months left to live. Would anyone really let that happen? As closely guarded as the true evidence is, you can bet that it wouldn't, which is also examined here in a fantastically twisted web of paranoia, obsession, and fantasy. For anyone that's ever had a fascination or interest in the JFK assassination, this is a must see. Art house folks will probably eat this one up as well, as it is challenging and thoughtful, and completely free of any Hollywood gloss - what a combination! This one is definitely worth catching in the theater.

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