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Nafas-e amigh (2003)

GENRESDrama,Romance
LANGPersian
ACTOR
Mansour ShahbaziMaryam PalizbanSaid Amini
DIRECTOR
Parviz Shahbazi

SYNOPSICS

Nafas-e amigh (2003) is a Persian movie. Parviz Shahbazi has directed this movie. Mansour Shahbazi,Maryam Palizban,Said Amini are the starring of this movie. It was released in 2003. Nafas-e amigh (2003) is considered one of the best Drama,Romance movie in India and around the world.

'Deep Breath' is an Iranian urban slacker movie that follows the meanderings and random vandalism of two listless and alienated twenty-somethings from opposite ends of the social spectrum. Kamran, a college student, and Mansour, a petty thief, are from opposite ends of the social spectrum. Cool and carefree, they steal cars, snatch cell phones, smoke joints and drive aimlessly. When the boys pick up a hitchhiker, a chatty student named Ayda, her dynamic presence begins to rouse them from their terminal ennui. Punctuated with beautiful imagery and comic moments, Shahbazi paints a sympathetic yet unsparing picture of disaffected Iranian youth. Wry and bittersweet, Deep Breath is not to be missed. The film was shown at the Directors' Fortnight at Cannes Film Festival to great success. Among other accolades it won a FIPRESCI award at Pusan and the Jury special award at Turin as well as the Best Film award at the Belgrade Author Festival.

Nafas-e amigh (2003) Reviews

  • A vivid image of youths in Iran

    mtavakoli2009-02-05

    Probably this is one of the best Iranian film ever made. A story of three young Iranian-two boys and one girl-with three completely different lives and social classes but with one destiny, death. The film doesn't say anything about the past life of the characters, it doesn't explain anything and all of the questions remain unanswered. The point is not the answer to the questions, the director doesn't want to show just this case and and show a story-telling Cinema, he has made a general film about the current situation in Iran. It doesn't matter you are rich or poor, the destiny is the same. The image of death has been showed at the beginning of the film, Although the image is omnipresent but it has not shown explicitly any death during the film. The last sentence in the film, is said by the director itself as a pedestrian who gives an advise to the Aida and Mansour about it is better for them(us) to not to stay here, leave here. Even though the film is excellent, it is difficult for non-Iranian to understand and find out all of the aspect of the film, because I think the key to understand the film is being in Iran.

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