SYNOPSICS
New Waterford Girl (1999) is a English movie. Allan Moyle has directed this movie. Liane Balaban,Tara Spencer-Nairn,Mary Walsh,Nicholas Campbell are the starring of this movie. It was released in 1999. New Waterford Girl (1999) is considered one of the best Comedy movie in India and around the world.
Sometime in the 1970s, 15-year-old loner Agnes Marie "Mooney" Pottie dreams of escaping existence in New Waterford, a coastal Nova Scotia town on Cape Breton Island. She quietly scorns most of the people around her, including her large family, who don't share her sensibilities; her fiercely-Catholic family think she's weird. She thinks she's realized her dream when, with the help of her teacher Cecil Sweeney (who came to New Waterford to find himself and is still looking) she wins a scholarship to a New York art school. When her parents don't let her go, she devises a plan to escape New Waterford. Meanwhile, a bit of NYC comes to New Waterford when Lou Benzoa and her dance-instructor mother temporarily move in next door to the Potties to escape the Bronx until "the stink dies down." Lou becomes friends with Mooney and quickly gains a reputation as the female Equalizer, whose powers only work on the guilty.
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New Waterford Girl (1999) Reviews
Growing pains
Allan Moyle, the director of "New Waterford Girl" captures the right atmosphere of a small town in Nova Scotia. He shows us how the people live in this isolated area. The life of the small village, with all its local characters, is presented by Mr. Moyle in a way that affects us into feeling for these people in that barren place. The best thing going for this movie is the brilliant performance by Liane Balaban. She plays Moonie Pottie, a girl that wants to break away from the boredom of the town and go away to pursue her ambition. This young actress' face registers a lot of emotions going on inside Moonie's mind. She knows the only chance for her to get out of the mediocrity in which she lives is to become pregnant because invariably, those fallen girls are sent away to have their children. Luckily for Moonie, she finds a friend in Lou, the rebel American teen ager who arrives from the Bronx to hide away with her mother and young brother. This is the only part that doesn't make much sense, but it's a diversion to the story that otherwise would be too confined to just the locals. Lou gives Moonie a confidence that the latter one didn't know she had. Moonie grows up helped by her friendship with the tomboyish Lou, who is too wise for her young age. Tara Spencer-Nairn does a wonderful job in recreating Lou Benzoa. The film takes a while to click with the viewer, but it will stay in his mind for days after having seen it. The Pottie family is presided by Francis and Cookie. As played by Nicholas Campbell and the always excellent Mary Walsh, this family shows an inner strength, even at times of great crisis. Andrew McCarthy is also seen briefly as the teacher that wants a better life for Moonie, who inspires her to break away from this small town. Cathy Moriarty plays, yet another, boxer's wife. She has nothing to do in the film. This small movie will charm those willing to take a trip guided by the sure direction of Allan Moyle.
May be quirky, but welcome to Hicksville, Canada
I missed the first 30 minutes of this film when it was shown on Showcase Extra this afternoon. I ended up renting it at Blockbuster five hours later. Yeah, so the characters might seem "over the top," but guess what? It's Cape Breton, Nova Scotia. Canada's Hicksville where there really is nothing to do. I loved this movie. There was something about it by just throwing the characters in from the side -- and Sweeney? He was just there and the audience is just put right in the middle of Mooney's chaotic life, wondering if she's ever going to get the heck out of there and fulfill her ambitions and dreams. Okay, so it's no Spielberg. There's no Kiera Knightly or Brad Pitt in it. It's a bunch of no-name actors and a no-name director. But guess what? That's where its charm comes from. It's special and quirky and you sympathize with Mooney and Lou and everyone else. A lot is explained if you listen to what is being said, and the quips are pretty cute -- not great like "Snatch" or "Lock, Stock..." great, but cute. Memorable. I'd suggest people see this. This is a great piece of Canadian film that I wish more knew about. It's a real hidden gem. And if you don't like it, you'll at least appreciate the life you live.
A unique film
I truly enjoyed this film. I'm usually not the type to like the girl coming to age films. But I loved this one probably because its not completely focused on the usual girl growing breast and realizing she's now a woman, story plot. Instead its about a girl that will do almost anything to get out of her small mining town. Including pretending to be a floozy and getting pregnant. I think the two lead actress (Liane Balaban and Tara Spencer Nairn)are great and I'm sure they will go far. If you like a good not so coming of age film check out this one I'm sure you will like it.
Repeated Viewings Recommended
Film doesn't get much better than Alan Moyle's very original "New Waterford Girl". That said, prospective viewers should understand that "New Waterford Girl" withholds much of its pleasure from the first viewing, be prepared to watch it at least three times which is not difficult because it is one of those films with unexpected depth that gets better with each viewing. Even your reaction to the cinematography will change with each viewing as the unremittingly grim visuals (subjects are often framed against gray skies and windswept beaches) which initially make you shiver become increasing beautiful. The main character, 15 year old Moonie (Liane Balaban), is one of those freaks of genetics who occasionally spring up in unexpected places, whose comparative intelligence and ambition set them apart from family and peers. She loves her family but has simply outgrown the small Nova Scotia town of New Waterford and dreams of getting out. Once engaged and observant, she now drifts around town with her face in a book, having written off and distanced herself from everyone around her. Boys are attracted to Mooney (plausible since Balaban looks like a cross between Natalie Portman and Winona Rider) but she is focused on getting out rather than on boys. It is a dream part, as Balaban through behavior and voice-over must somehow balance Moonie's generally unpleasant demeanor and too soon maturity with the fragility and vulnerability of a young girl. Enter new next door neighbor Lou Benzoa (Tara Spencer-Nairn) who has just moved to New Waterford from the Bronx with her mother (Cathy Moriarty). In homage to Moriarty's "Raging Bull" character, Lou's father is a jailed boxer who has taught Lou how to throw a punch. Lou is as extroverted and impulsive as Mooney is defensive and introspective. It is in the Moonie-Lou friendship that Moyle's film transcends the traditional female bonding story. Rather that fall into the trap of having the two girls immediately hit it off, Moonie is resistant. But Lou keeps trying and eventually Moonie comes around. Lou immediately embraces the small town experience and her fresh perspective on the things that Mooney has stopped noticing begins to subtly change Mooney's feeling about her hometown. An especially beautiful scene involves Mooney joining in as her two sisters (if they look like sisters it is because they are played by actresses who are sisters-nice casting) sing a traditional song around a campfire. Mooney's internal conflict (and increasingly difficult decision) between staying or going is what the film is about but Moyle artfully soft-pedals this dynamic by packaging it around a humorous parallel story about Mooney's scheme to escape from New Waterford. In this small Irish Catholic town the very mention of the blessed Virgin is enough to make potential sinners stop dead in their tracks. Much of the humor comes from Lou's ability to knock out boys with a sucker punch. The local girls enlist her as an agent of the blessed Virgin who can punish their two-timing boyfriends. In "Times Square" Moyne used a similar contrivance, having the two girls drop television sets from the Times Square rooftops. While both are mildly ridiculous, beneath the surface of each there is considerable food for thought as metaphors for issues raised by the films; in "New Waterford Girl" these include infidelity, sexual awakening, forbidden love, and small-minded parochialism. "New Waterford Girl" is transcendent because of the pairing of Balaban and Spencer-Nairm. The two actresses not only hold their own with each other, they are perfect complements and Moyle skillfully uses reaction shots that allow them to enhance each other's performances. WARNING: Although most of the technical production elements (cinematography, production design, editing) are excellent, the audio (at least on the DVD) is second rate (more accurately second to all). Many lines are a challenge to make out and several are simply unintelligible. While this does not ruin the film it definitely weakens it. The audio deficiency is compounded by the puzzling failure to provide a captioning option; someone should roast in hell for that omission. If ever a DVD needed subtitles this is the one. At least Showtime has provided subtitles in the version they are currently running. If you feel inspired you can find the script at (www.geocities.com/nwgmovie/index.html). The DVD lacks any useful special features; it has one trailer and a short (rather lame) featurette. Since there are no commentaries and the VHS version (also in widescreen) and cheaper, VHS might be the way to go. The music is excellent, too bad no CD is available. Then again, what do I know? I'm only a child.
How many times have I watched this now?
Many, many, times. And I have to say, it gets better each time you watch it. The nuances of a Cape Breton accent (I was pleased that the writer and several of the actors came from Cape Breton, and even from New Waterford itself), the expressions on the faces (Liane Balaban's face is VERY expressive, so make sure you remember that other people are in the movie, too), and the various little relationships. For instance, take the character of Joey, who obviously follows Mooney around as much as he can (near her at the wedding; standing outside the church when she comes out, following her to a party... They don't show it in the film, but I imagine he probably stood outside her house sometimes, hoping she'd come out). This movie is very much worth watching if you're the type who watches a movie three times over one weekend. Or if your like me, trying to transcribe less-popular movies so people who love the movie can read the transcript and remember what the dialog sounded like, and enjoy the experience of the movie again and again, even if we don't have the DVD (or the tape, if you like it like that). Unless you already love independent films of one variety or another, this movie may not be for you. It IS a bit quirky (I've read complaints about that), but the quirkiness isn't overbearing. It's just an accurate portrayal of the freaks and psychoses that people in a small town develop over time, with lack of contact to "people from away." (Father Madden, for example, and Dr. Hogan) If you like this movie, try Lawn Dogs, or The Quiet Room, which are still more independent than Hollywood, but will get you into the Independent genre without making it too difficult.