The Call of the Wild (1972) Reviews

• A sad and uplifting Jack London adaptation that is not to be missed. You can rarely go wrong with 'Chuck'.

  Freddy_Levit2006-04-12

  I don't know about other people, although looking at the score this website has given this film I can only ponder, but when it comes to international team work in making a film, I often love the results. In fact, I loved this movie and thought it was extraordinary. Oh and the emotion, it blew me away. 'Call Of The Wild' is a very emotional story of a German Sheppard's forced journey from 19th Century California to the Goldrush of the Alaskan wilderness and the meeting with its new owner with which it becomes closer to than with anyone or anything else. A very simple story indeed, but the legendary Jack London knew how to tell a great high adventure tale on an epic scale and he obviously fancied dogs very much as is shown with his minute details about his subjects. I believe that Ken Annakin (the director of this film) realized London's vision to perfection and translated it brilliantly to the screen. The sheer realism that Jack London told his stories with takes you to another world and it takes your breath away with their uplifting finales. Ken Annakin had done a wonderful job with directing "Call Of The Wild". The dog in the film is an actor itself as it plays such an integral part of the film. Not even half way into it, it is almost certain that you will fall in love with the dog. Its emotions and gestures are all natural, and it's easy to relate to the dog's journey. Five minutes into the film, I was hooked. The dog had such a commanding presence that not even Charlton Heston could get in its way. And then there is Charlton Heston, a man of such phenomenal, legendary influence on film history. Yet even with his power, fame and success he is one of the few actors in the world who's fame doesn't distract from the film. It's his strong presence and every-man, human and subtle performances that set him apart from many actors on the same level of fame. He is always the same 'Chuck', but he is more like we are and that's why we loved his films so much. So, when you see him inevitably getting closer and attached to the dog, it feels so convincing and real, it drains you of all emotions. Call me crazy, but when the credits at the end were rolling I felt like crying. Here you are, in the middle of god's nowhere in the heart of the Alaskan wilderness; two mammals - a dog and a man - who have no families and nothing to come home to find one another and become the closest, most reliant friends as it is a key player in their survival of the unforgiving hardships of the Goldrush and the wilderness in between them and the Gold. The scenes where 'Chuck' finds the dog after not seeing him for a long time are so uplifting and you can see the happiness and joy in Heston's eyes. However, nothing beats the finale when the dog and the man are departed for the last time in tragedy. It's so sad and it makes you think about how big their journey together was and how close they were to one another. Yet, the film still finishes on a positive note with the dog and his offspring symbolizing "life goes on". What really set the mood for the film more than the harsh wilderness and the hardships that the two faced throughout, was the unusual, alienating music written and composed by Carlo Rustichelli, which at first seems out of place and very weird, but soon becomes the film's underlying haunting atmosphere and power. In a way, the music paints a picture of struggle and isolation better than anything I've ever heard in my life. By the end of the film, I didn't want anything else, it was perfect. And of course, the music wouldn't have been any good without the wonderful cinematography that gave a clear realization of how vast the landscape is. Ken Annakin's "Call Of The Wild" is easily a worthy addition to the adventure lover's film collection. You will feel like you have been on an epic journey. It captures the importance of dogs in those times - for dogs were at times worth more than Gold as they were the only things that could get you around the deep snows of Alaska. Rarely have I seen such a realistic and graphically harsh portrayal of the Goldrush years and the men with their dogs and sleds that fought, searched and died for the Gold. And in the fore-front there is a most captivating story about love and friendship between two different species. Adventure fans, go no further than this great escapist master work. Yes, there is wooden acting in some parts, but the core of the film doesn't fail one bit. The film is a definite product of the 70s and adds a lot of nostalgia, only adding to the atmosphere. I absolutely surrendered to the film's beauty and power and I can confidently call it a classic. They don't make em' like this anymore!

• European version of the notorious novel about the dog adventures and his masters

  ma-cortes2006-12-11

  Charlton Heston as John plays a prospector along with Raimund Harmstorf . They are at the right time and in the right location to live numerous adventures . The picture chronicles the ¨Gold Rush¨ days of Alaska from Klondike territory and in the Dawson City center . Heston finds and befriends a German shepherd dog called ¨Buck¨ which saves and protects to John and his partner . The dog rescues them from dangers and leads throughout snowy landscapes . But Buck is robbed and is taken by various masters , being forced to pull a snow sled. The movie is based on Jack London novel -in part autobiographic but in his real life was prospector- , narrating the story about the gold discovery , people came to find the precious mineral through the freeze ways and corruption , violence and ambition that came with them . Authentic stars film are the animals as there appear : Huskys , pack of wolves and of course the magnificent German shepherd named Buck . The best of the movie are the marvelous , spectacular snowy outdoors , being stunningly photographed by John Cabrera in places as Finland , Norway and Spain . Atmospheric , evocative score by the Italian composer Carlo Rustichelli . The picture is one of various renditions based on Jack London novels along with ¨ The White Fang ¨ , creating the sub-genre about the Alaska adventures . The film is a European co-production by Harry Alan Towers with actors of several nations ( German as Raimund Harmstorf ; French as Michele Mercier ; English as Maria Rohm ; Spanish as Juan Luis Galiardo , Sancho Gracia and Italian as George Eastman or Luigi Montefiori). Charlton Heston said about this one resulted to be his worst film but I think is entertaining and watchable although mediocre for its poor direction and weak plot which hamper this familiar story .

• Good Version

  Michael_Elliott2008-04-26

  Call of the Wild, The (1972) *** (out of 4) A house dog is stolen from its owner and sold to a group of men who abuse him and eventually sell him as a sled dog. The sled owner (Charlton Heston) soon grows attached to the dog and we see their adventures in Alaska, which includes hunting for gold. This version of the famous story isn't as good as the 1935 version with Clark Gable and Loretta Young but this one does remain entertaining throughout. There are some major problems with the film that keeps it from being great but even through there are problems there's still a wonderfully touching movie here. What doesn't work is that the film really appears to have originally been three hours and then edited down to its 100-minute running time. I say this because there seems to be some rough editing and there are various parts of the film that seem rushed. This becomes rather annoying but the real star here is the dog. The dog used in the film does a remarkable job and really makes his role a real character and not just an animal doing tricks. Heston gives a pretty good performance and his actions with the dog are a lot of fun to watch but there are moments when the actor goes over the top and brings a few laughs, which certainly wasn't intended. Michele Mercier is good as Heston's lover and George Eastman makes for a great villain. The film was shot in Finland, which leads to some terrific visuals and the movie remains entertaining all the way through. The love story between Heston and his dog is beautifully captured but some should be warned that there are a lot of scenes of animal abuse, which will certainly bother some.

• More realistic, less sentimental than older Hollywood version.

  rixrex2005-06-20

  This is definitely a European-style film from the period, the 70s. Everything about it speaks loudly with the European influence, the music, the cinematography, the editing. It's much like what you'd see in countless Euro horror films from the time, but this time it's a dramatic and rather realistic take on the old American classic. When seen, it doesn't take much to imagine the shooting conditions, and how did they all, cast and crew, put up with the misery of the terrible cold and snow? Heston isn't miscast here like some say, he's just very much different from what might be expected, but he does an admirable job. Some of his best film work was during this time, not the studio blockbusters he was known for prior to this. It is good that the story doesn't opt for the Hollywood "happy ending" but, without spoiling it for those who haven't seen this, it is a much more realistic ending.

• Faithful adaption of Jack London classic

  bkoganbing2012-11-24

  As the only name we American viewers will recognize in the cast, Charlton Heston does very well in the lead role of John Thornton rugged prospector in the Klondike Gold Rush. There are two leads of course, the other being Buck the lead sled dog that Heston puts more store in than most people. It's not a misanthropic position by any means. As anyone who lives in the frozen north on any continent, a good sled dog is still the best transportation around. One that is loyal and smart like Buck is worth more than the gold he might carry out of a strike. The only other version I saw of this story is the one that starred Clark Gable and Loretta Young in the Thirties, That one took considerable liberties with the story. This version is faithful to Jack London's novella which came out when folks were still panning for gold in this area in 1902. You'll not know any other names from the cast except possibly French actress Michele Mercier who plays a saloon owner in Dawson City and who would like Heston to settle down with her. But The Call Of The Wild is as strong in him as it is in Buck The Dog who discovers his second cousin the wolf and yearns for their open existence. Though the dog develops an affection for his human the same way Heston has for the dog. Heston is rugged and fine in the lead role. The non-recognition of the other players works out because it lends an air of authenticity to the film. Ken Annakin's direction is on target and the location cinematography done in the Lapland country of Norway and Finland is magnificent. Heston wasn't crazy about the film, I imagine it was one rugged location shoot for him. Still his fans should like it and I can tell you he's done worse films than The Call Of The Wild.