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Urban Cowboy (1980)

GENRESDrama,Romance,Western
LANGEnglish,Spanish
ACTOR
John TravoltaDebra WingerScott GlennMadolyn Smith Osborne
DIRECTOR
James Bridges

SYNOPSICS

Urban Cowboy (1980) is a English,Spanish movie. James Bridges has directed this movie. John Travolta,Debra Winger,Scott Glenn,Madolyn Smith Osborne are the starring of this movie. It was released in 1980. Urban Cowboy (1980) is considered one of the best Drama,Romance,Western movie in India and around the world.

Bud Davis is a country boy who moves to the city to visit his uncle and his family. He starts hanging out at Gilley's, the popular nightclub owned by Mickey Gilley himself. He takes a job at the oil refinery where his uncle works, hoping to save enough money to buy some land. He also meets a cowgirl named Sissy, they dance together, fall in love and suddenly get married. And then their marriage is shattered when Bud sees Sissy allegedly seeing con man Wes, who teaches her how to ride the mechanical bull... and plans to rob Gilley's. When a bull-riding contest at Gilley's is announced, Bud decides to sign up. Can he win the contest and save his marriage to Sissy?

Urban Cowboy (1980) Reviews

  • Like it or not, fiction it ain't

    mreed2000-01-06

    Okay, so I have come a long way from Houston by now, but whenever I see this movie, I am taken back to a little cowgirl's dream to one day ride the bull at Gilley's. (It burned down before I was of drinking age.) If you grew up in in East Texas, then you know this movie is an accurate depiction of contemporary life at that time. If you didn't then trust me and watch the movie. Either you will join the many who love it (and at the same time strangely repulsed), or at the very least, you can make fun of the red-necks. (There is plenty material for poking fun.) This movie doesn't try to be P.C. (what was that in the 80's) or hide the white trash element and it is honest to the time and place. Gotta be a 10 for me!

  • Days In The Oil Fields, Nights At Gilley's

    bkoganbing2009-02-09

    For Urban Cowboy John Travolta plays one of the stronger alpha males ever portrayed on the big screen. He's a decent enough young kid who leaves his parent's homestead and strikes out for the big city of Dallas where his uncle Barry Corbin has promised to find him work in the petrochemical industry. In 1980 that was beginning to boom and Texas was definitely a growing place in the USA. Travolta does a good job in making we the audience care about his character who when you come right down to it is a sexist pig. He meets and marries Debra Winger who's from the same background, but she's got some ideas that women should not be shadows of their men. And when she beats him at Gilley's mechanical bull, a man's game, that's it for him. Scott Glenn who's an ex-convict is working at Gilley's and this film was his breakout role. He's a real snake in Urban Cowboy, he gets Travolta's goat with a mere look and he moves in on Winger. Travolta in turn takes up with rich girl, Madolyn Smith Osborne who's slumming at Gilley's. Despite the characters, Urban Cowboy was really one gigantic commercial for the self-styled biggest honky tonk in the world. Gilley's is no longer there in the suburban Texas community of Pasadena, but the memories do live on. And the best thing about Urban Cowboy is the wonderful score of country/western songs that were featured in the film. I'm not sure if some of the songs were not written specifically for Urban Cowboy, but it's the only reason I can think of why the Motion Picture Academy ignored the musical aspects of this film. I especially liked Johnny Lee's Looking For Love, if it was specifically written for this film, it's a disgrace that it wasn't nominated for Best Song. I liked Debra Winger's character best in this film. She doesn't lose a trace of femininity, but she stands up to Travolta and does it in style. And this review is dedicated to that yet as unknown woman who will one day be the first woman bull-rider in the Professional Bull Riders.

  • How Can You Not Like This Movie???

    rkerns69382005-10-11

    First let me say I am not from the south but I am an American. I don't love Country music but I can stomach it. I would never wear a cowboy hat but I wear hats. I don't live in a trailer but I do eat tuna salad and own a home. What does that have to do with this comment? A lot if you are one of those people who say only "country" people love this movie. This movie is loosely based on the "They loved and lost" premise. James Bridges directs an American love story as real as it gets. In an era of Jerry Springer and "Lets put it out there" mentality, this film rings truer than ever. Bud is "coming of age" and embarks on a life of his own with a little help from his aunt and uncle so he moves to the big city with them. Bud finds himself drawn into the local honky tonk world for the only escape a blue collar man can afford. He quickly meets Sissy who is from a similar background and the two have a whirlwind romance filled with painful ups and downs. (*This plot takes so many turns that one has to just sit for a few minutes before they get hooked. Marriage is a focus here that is often missed. Early in the film they marry and we view the transition from being single to married. The film highlights some of the modern struggles a woman has when she marries an old fashioned man. It also brings into view the male ego with women and competition.) Bud is challenged and is excited when Micky's puts in an electronic bull. Sissy gets ideas of having fun on it too but is quickly reminded that she is married and need to start "acting like it." The emotion between the two characters is raw and expressive and the plot continues from there especially when they (NOTE THIS IS GIVING SOME OF THE STORYLINE AWAY) split and Sissy falls for an ex con with a penchant for abuse and cruelty. She soon realizes that the grass is not always greener on the other side. How anyone can compare Bud to Vinnie Barbirino is shocking to me. John Travolta gave an exceptional performance that was worthy recognition. He was believable and real. The scene where he shaves his beard and you first see him at the bar..still gives me goosebumps. Mind you I am not a huge Travolta fan, but come on, I see why Sissy was kicking of her boots so early in the film. Deb Winger was so real that you found yourself sympathizing with her as she pens a note of emotions to Bud, after sneaking in to clean his house during their break up. The supporting cast was incredible. Wes played by Scott Glenn gave a first rate performance that made you hate him and curse him as he abused Sissy. Madolyn Smith-Osborne, as Buds Mistress/girlfriend was so authentic that large chested girls across the U.S. prayed to wake up flat chested to wear the clothes she donned in the film. My biggest kudos's go to Barry Corbin and Brooke Anderson as Bud's aunt and uncle. They seemed like someone's aunt and uncle somewhere in Texas and however small their role, they made the film so much bigger and lifelike. Two memorable scenes were the Dolly Parton contest and the unforgettable scene where Bud and his aunt stand outside after one of the characters death. The dialog between them is touching. If you can watch this for what it is, a true American love story. Then I recommend that you take it for what it is...a film before it's time that gave us voyeurism into a world unlike our own but real enough for our enjoyment and entertainment. If this world sounds similar to yours then you will enjoy it so much more. Lastly, the music however dated, is sure to send you back in time if you are over 30 years of age.

  • An entertaining period piece. Travolta shines.

    TOMASBBloodhound2003-08-28

    This film is a classic compared to the Latham/Bridges/Travolta misfire called PERFECT which came out in 1985. This film showcases the Houston lifestyle of the oil boom in the early 1980s. We get an insider's view of their jobs, hangouts, and relationships as Travolta and the gang live out their daily lives. There are some excellent supporting performances here, but make no mistake: THIS IS TRAVOLTA'S SHOW! Who would have thought at the time he'd make such a credible Texan? You almost have to remind yourself this guy was one of the Sweathogs from Welcome Back Kotter. We get to see him dance, fight, ride a mechanical bull, and score with a number of hot women. What more could you ask for? I think this is his best performance to date. The soundtrack is one of the best I've heard. You won't hear any of this crappy pop-country that is en vogue today. It's just good old fashioned music you can dance or make love to. This film displays the downfalls of couples who get married too quickly in a very realistic manner. Bud and Sissy resemble a lot of young couples without big bank accounts who have trouble getting along. Scott Glenn makes a terrific villain, too. Do yourself a favor and see this one. Or see it again if it's been a while. Travolta could use a hit movie like this one right about now in his career. 9 of 10 stars So sayeth the Hound.

  • Classic Mechanical Bull Riding, Love Story

    reel_emotion2003-04-10

    ********Spoilers--Careful********* What can I say? I'm biased when it comes to Urban Cowboy. I love it and have watched it countless times--and usually find out something new about it with each viewing. I think one of the things I like about it is that Urban Cowboy is about working class people, not rich people who live in either L.A. or New York. Well, it is true except for Pam. Travolta plays Bud, a small town Texas boy who moves to Houston to work in the oil fields. And this is when Travolta actually played in good dramatic movies like Saturday Night Fever instead of playing stereotypical bad guys/good guys in big budget movies. This is a really good movie--the mechanical bull riding contest and two-step dancing may be silly, but you have to enjoy this for what it is. Bud meets Sissy (played by Debra Winger with slutty brilliance)--and soon after, they are married and living in their dream trailer. But their relationship becomes a real life battle of the sexes. Bud wants to be a real cowboy. Sissy wants to be with a real cowboy. But in modern times, men's roles are not as clear. Where can Bud prove he's a real man? He can work his dangerous job by day and ride the mechanical bull by night--he can be a "urban cowboy." But Sissy wants to drive his pick-up truck, and she wants to ride the mechanical bull, too. So where does this leave Bud? As Sissy asserts her independence, she lies about riding the bull and flirts with the ex-con and prison rodeo star--a real bull rider--, Wes (played wonderfully greasy by Scott Glenn). Bud is threatened, and Bud and Sissy break up. Sissy shacks up with Wes, who abuses her. Emasculating himself further, Bud becomes the boy toy of Pam, a rich girl whose Daddy is in oil and all that implies. Sissy comes by the trailer to clean it up--Pam doesn't do that kind of thing. She writes a make up letter to Bud, but evil Pam tears it up and takes the credit for Sissy's housework. Bud's Uncle Bob dies tragically at work when lightening strikes and causes an explosion. Bud and Sissy have a chance at reconciliation, but are too stubborn. Later the mechanical bull riding competition is at Gilley's, and you know Bud is going to win. Pam realizes that Bud doesn't love her, but Sissy--he did it for her. Wes tries to rob Gilleys, but wouldn't you know that urban cowboy, Bud, saves the day and wins back the woman he loves. Of course, you may ask yourself why Bud and Sissy would go to Gilleys about every night and "live like pigs." Maybe that contributed to their bad marriage. Or why didn't Bud stay with Pam--she wasn't that bad and had money. Or why they had to kill off Uncle Bob. Or why Bud and Sissy had such stupid friends like Marshall and Jessie who were always trying to break them up: Marshall says to Bud, "She {Sissy} rides that bull better than you do!" But part of the fun of Urban Cowboy is making fun of it a little bit--and saying, isn't that Bonnie Raitt on the stage!

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